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Word: schaefer (lookup in dictionary) (lookup stats)
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...regards the item concerning me : 1) Never been called "Big Daddy by anyone. 2)Government did not prosecute "haphazardly "they tried viciously but had no case. 3) I never said, quote, "I am not a Negro " 4) My mother, Mattie Schaefer never attempted in the famous Philadelphia Schufer suit to prove her relationship to Colonel Schaefer. , 5) I never bought "expensive" clothes No suit cost more than $75, and most ot them are restyled double-breasted, vintage 1945-1950 6) I do not "tack on the Powell Amendment at every opportunity," see the Congressional Record...

Author: /time Magazine | Title: Letters, may 23, 1960 | 5/23/1960 | See Source »

...grandson of a branded slave, he now says he is not a Negro (his grandmother, he says, was a Cherokee Indian, his other grandparents white). Most of his constituents know the sting of poverty; Powell has never lacked money. His mother, Mattie Powell, was an illegitimate heiress of the Schaefer brewing fortune, according to her son, and his father dabbled in Harlem real estate and was the pastor of the Abyssinian Baptist Church, with the largest Protestant congregation in the world (present membership: well over...

Author: /time Magazine | Title: NEW YORK: Big Daddy's Big Day | 5/2/1960 | See Source »

...cannot agree on what the charts signal. Last month, when the Dow-Jones industrial and rail averages dropped through their previous lows, such classic Dow theorists as Richard Russell held that a bear market was on (TIME, March 14). But another group of Dow theorists, led by E. George Schaefer of Indianapolis, argued that it was a false bear signal: the market was really getting ready to rise to new highs...

Author: /time Magazine | Title: STOCK FORECASTING-: STOCK FORECASTING | 4/4/1960 | See Source »

...dungaree-clad London housewife, Frink had her first exhibition while still in art school. Last week her tabletop bronzes were on view at Manhattan's Bertha Schaefer Gallery. At first glance, many looked like mud attempting to fly; they were that energetic and that saggy. The combination said something blue about man's estate, the approved tone of most contemporary sculpture. But Frink's ostensible purpose has nothing to do with moral messages or with ideals of any kind, not even plastic ones. "Somebody makes a metal armature for me," she explains, "and I start covering...

Author: /time Magazine | Title: Art: Blue Britons | 12/14/1959 | See Source »

Safe & Superlative. In both spectaculars, which went on the air within four days of each other, Susskind was backing a sure thing. Meet Me matched the light-fingered direction of George (Green Pastures) Schaefer with a cameraful of Hollywood glamour: Myrna Loy, Walter Pidgeon, Jeanne Crain, Tab Hunter, Jane Powell, Ed Wynn. The Browning Version was also star-packed: Sir John Gielgud, Margaret Leighton, Cecil Parker, Robert Stephens. With so much to offer, neither show could fail. And in the case of The Browning Version, Gielgud's superlative performance could have done the job alone. Sir John...

Author: /time Magazine | Title: Show Business: Producer's Progress | 5/4/1959 | See Source »

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