Word: scenes
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...real ceremonies that actually exist. It’s not fake, it’s not absurd, it’s not even exaggerated.” Carothers adds that the ceremony reminded him of Shiite self-flagellation ceremonies that were used to mourn Imam Hussein and that the scene is supposed to recreate the feelings of shock and discomfort that come when one is immersed in a new place or culture. However, Broadwater says that the scene is not meant as a direct criticism of religion. “I think that the play deals a lot with thinking...
...Each scene has its own story, its own arc. When you throw them all together it creates a story, but each of them has its own individual thing... The show is much more about the relationships that come up in each scene,” says Jesse T. Nee-Vogelman ’13, who plays...
This forgettable number lacks a center. We realize the scene is supposed to be a first-run, justifying the visual aimlessness, but the song’s emotional footing is uncertain as well. The performance is happy without capturing a sense of empowerment. It’s just flat, and we know Amber Riley can sing, so we’re not sure what went wrong. The choreography somewhat comes together halfway through – FlyBy enjoyed Mercedes walking along on those chairs – but what in the world did they have Kurt doing...
...This attempts the same serendipitous, organic feel, but gets it right. The choreographed scene looks unplanned, or at least believable, and that’s a hard task, as Expressions learned this week. The enthusiasm in the nostalgic jam session makes glee look like the funnest class ever, proving the show isn’t just production values smoke-and-mirrors. Our only caveat: it’s a little problematic that the two modern, “black” pieces in this diversity episode weren’t actual performances. We got an unplanned rehearsal...
...beautifully constructed scene, David picks Jenny up from her house, playing his cool confidence off Jack’s bumbling attempts to control a daughter whose intelligence surpasses his own. Jenny joins David and his two elegantly detached peers—Danny (Dominic Cooper) and his glamorous girlfriend, Helen (Rosamund Pike)—for “supper” at one of London’s most posh restaurants. Here, the aforementioned “I Want a Sunday Kind of Love” rushes through the speakers, enveloping Jenny’s breathless contentment. The first three...