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...Reiterman: Good and evil coexisted in Jim Jones throughout his life. I really do believe, having gone back to his birthplace in Indiana and tracing his life, that the seeds of the madness that the world saw in November 1978 were there from his earliest years. He was somewhat neglected as a child. He was part of an unconventional family where his mother was the breadwinner and his father was a brooding man whose work life was cut short by mustard gas scarring from World War I on his lungs. Jones sought out acceptance and a sense of family through...
...gunfire as I was trying to take cover behind one of the plane wheels. Fortunately I was only hit in the arm a couple of times and was able to jump up and sprint to the jungle and take cover. When I came out a few moments later, I saw that the Congressman had been killed, that three of the newsmen had been killed-including my partner on that trip, San Francisco Examiner photographer Greg Robinson-and one of the defectors also was killed...
...think about it every day. I think about the people, the 900 people I saw who were young and old and vibrant and talented and performing on that first evening when I met them. I think about those images of their bodies in piles and final graves that have been used again and again and again. I think about what happened on the airstrip, too. I don't replay those events every day in full, but they cross my mind. When you're part of something like the events in Jonestown, they become part...
...greasepaint, and then in hives from the reaction to the greasepaint. (Note to self: next year, spring for naughty nurse outfit). The following night, however, upped our heat quotient significantly. We went to an old-timey club called One-Eyed Jacks (615 Toulouse Street; 504-569-8361) and saw a brilliant, theatrical band called Rock City Morgue and watched the beautiful burlesque girls of the local vaudeville troupe Fleur de Tease contort and comport themselves for our viewing pleasure...
...after its initial good reception as a concept, nobody ever saw the finished work. After Okamoto died in 1996 at the age of 84, Toshiko spearheaded a search for the mural. When it was located in September 2003 in a warehouse outside Mexico City, its surfaces deeply cracked from exposure, she made the recovery, restoration and return to Japan of Myth of Tomorrow her last project as director of the Taro Okamoto Memorial Museum. She paid a fraction of the millions of dollars for the painting that Hirano says were spent transporting and restoring it. When it came to bringing...