Word: sarcasms
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...Nicol Williamson rules the stage. His nasal voice has the sting of an adder; his furrowed brow is a topography of inconsolable anguish. His Hamlet is a seismogram of a soul in shock. Here is a Hamlet of spleen and sorrow, of fire and ice, of bantering sensuality, withering sarcasm and soaring intelligence. He cuts through the music of the Shakespearean line to the marrow of its meaning. He spares the perfidious king who killed his father no contempt, but he saves his rage for the unfeeling gods who, in all true tragedy, make and mangle human destiny. Take...
...Nicol Williamson rules it. His nasal voice has the sting of an adder; his furrowed brow is a topography of inconsolable anguish. His Hamlet is a seismogram of a soul in shock. It is a Hamlet of spleen and sorrow, of fire and ice, of bantering sensuality, withering sarcasm and soaring intelligence. Williamson cuts through the music of the Shakespearean line to the marrow of its meaning. He spares no contempt for the perfidious king who killed his father, but he saves his rage for the unfeeling gods who, in all true tragedy, make and mangle human destiny. Williamson...
...Nicol Williamson rules the stage. His nasal voice has the sting of an adder; his furrowed brow is a topography of inconsolable anguish. His Hamlet is a seismogram of a soul in shock. Here is a Hamlet of spleen and sorrow, of fire and ice, of bantering sensuality, withering sarcasm and soaring intelligence. He cuts through the music of the Shakespearean line to the marrow of its meaning. He spares the perfidious king who killed his father no contempt, but he saves his rage for the unfeeling gods who, in all true tragedy, make and mangle human destiny. Take...
...Even in the midst of considering children's literature, the portentous generalization can tempt him: "In the last fifty years we have contributed relatively little in the way of new ideas of any sort. From radar to rocketry, we have had to rely on other societies" etc., etc. Sarcasm betrays him into rhetorical flourishes: Lyndon Johnson is "the Great Khan at Washington"; objection to John O'Hara's handling of sex is archly laid to the "Good Gray Geese of the press...
...dressed as Portia for a Christmas pageant, lamely explains away the gown he is wearing with, "It's from The Merchant of Venice." Queenie's answer: "Well, take it back then." All right, so you had to have been there.) The point is, if you're expecting merely refined sarcasm, this ain't The Boys in the Band. As this play leeringly defines itself, "it has something to do with the backside of decency...