Word: sang
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...fans--who sang "Auld Lang Syne" after every Harvard goal--it was entertainment. Every time Harvard defender Frank Bazos came near the puck, his friends would scream "FRANK!" Amos Tuck loyalists would rhythmically rattle the plexiglass surrounding the rink for each Dartmouth score. John Cullinane, Sr. watched his son and namesake play hockey for the first time in ten years. Sue McHugh sold T-shirts, helped out with the scoreboard and watched her husband tend the Harvard goal...
...bring in CAA? During McCann's long and successful partnership with Coca- Cola, the agency has scored with such popular notions as "Things Go Better with Coke" and "It's the Real Thing." But over the past few years, while Michael Jackson moonwalked and Ray Charles sang "Uh-huh" for archrival Pepsi, Coca-Cola Classic's advertising often seemed somewhat flat. Something had to give...
Jack Nicholson read the words of Abraham Lincoln. Aretha Franklin, a natural woman in a natural fur, sang a hymn to single motherhood from Les Miserables. Kermit the Frog sent Gonzo the Great searching for the White House. Barbra Streisand performed a knockout set and gave her benediction to the party's Arkansas hosts. Warren Beatty, recently married, spoke of political honeymoons. En Vogue and Boys II Men showed that a cappella renditions of The Star-Spangled Banner could have art and soul. Michael Jackson led a chorus of glamourati in We Are the World. Some geezer band from...
School Fight Songs: They've got "All Hail Northeastern." We've got "10,000 Men of Harvard". An anonymous Northeastern administration staff member labeled the Huskies song "stupid." She sang it to me, and I'd have to agree. So let's sing again, 10,000 men of Harvard gain victory today. Fight song, score for Harvard...
...sensual, alarming, cautionary, caustic, devastating -- that gives the music the eerie persistence of a half-heard spell. But even his eccentricity is so wide- ranging, so continually renewing and surprising, that it probably isn't fair to call it typical. Anyone who expects the morose, slightly spacy voluptuary who sang, most famously, on the sound track of Robert Altman's McCabe and Mrs. Miller -- the Cohen who sounded like Villon with frostbite -- is in for a mighty shock encountering The Future...