Word: sang
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DIED: Carl Perkins, the guy who sang "Blue Suede Shoes" before Elvis did, in his Jackson, Tennessee home at the age of 65. Perkins was part of Sun Records' "Million Dollar" stable that also included Elvis, Jerry Lee Lewis and Johnny Cash. Perkins came from the same place as the others -- poor, rural and Southern -- but he spent much of his career on the verge, never quite making it into the big time. Case in point: In 1956, with his first big hit "Blue Suede Shoes" No. 2 on the singles charts, Perkins broke his collarbone in a car accident...
This was another Grove passion: opera. Seduced by Carmen's "Toreador March" as a youngster, Grove dreamed of becoming an opera singer. He took lessons and sang around school. And in the weeks before he fled Hungary, Grove and a handful of classmates sang the first, murderously lovely scene of Don Giovanni in a Budapest recital. Grove can't remember if he took the part of the footman Leporello (who beseeches, "Potessi almeno di qua partir!" [I wish I could escape!]) or the blackguard Don Giovanni (who bellows, "Misiero! attendi se vuio morir!" [Wretch, stay if you would...
Steven Rickards, who sang the counter-tenor in the December 5-10 performances only, was downright magnificent, displaying a remarkable range and amazing facility in both a smooth, unornamented style and a more decorative, vibrato-filled voice. Certain fast high notes, especially quick jumps up the range in the first few tenor solos sounded a touch over-breathy. However, as the piece progressed, Rickards' slow high sections became a real asset, showing off his incredibly pure, sweet timbre and bell-like resonance. Rickards' runs were exquisite and flawless, his style characterized by very creative use of flourishes, including several impressive...
...some fabulous consonants--a point that Marvin clearly, and successfully, labors on with his choirs. Continuing on a high note, the warm, resounding harmonies of "Lo, How a Rose E'er Blooming," thrilled the ear. Finally, in the Thomas Tallis "Sanctus" from the "Mass for Four Voices," the group sang with such conviction and enthusiasm that one could imagine Tallis wishing his Renaissance male choirs to sound just like this...
...cast wasn't quite as charming as Strauss' many waltz themes, but, then again, what is? Jennifer Sgroe, as Adele, was more versatile than Margot McLaughlin's Rosalinda; both, however, sang beautifully, and displayed a fine comic gift (but is this rare?) for exposing the stupidity and infidelity of men. John Middleton and Matt Greene were admirable as minor characters, the lawyer Blind and the infinitely sarcastic Frosch. Charles Baad had several great moments as the title character, the "Bat" who was out to settle an old debt of humiliation. Kristina Martin, who sang the role of the impostor Prince...