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The first project that Hagebölling presented was “Percussive Planet,” a collaboration with musician Martin Grubingers in Bonn that combined live digital animation with the pieces of 35 classical and contemporary composers. Grubinger’s musicians played together on stage against a...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: Hagebölling Explores New Intermedia | 4/6/2010 | See Source »

But the two did not meet until after graduation when they both worked with the same startup, Cambridge Technology Partners. After three or four years as close friends and running buddies, the two started dating before they both pursued multiple graduate degrees at Harvard. By the end of their education...

Author: By Danielle J. Kolin and Naveen N. Srivatsa, CRIMSON STAFF WRITERS | Title: New Cabot Masters Strive to Motivate | 4/6/2010 | See Source »

“In the same way that our union is steeped in traditions of the American labor movement but also trying to update and innovate, I have a sense from talking to these students that they are trying to do the same thing,” Jaeger continued. ?...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: Proletariart | 4/6/2010 | See Source »

The same holds for visual artists. “I’m obviously not a worker who has been subjected, I’m quite the opposite,” said Lehyt. “But everyone does something—I also do something. Art is labor.?...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: Proletariart | 4/6/2010 | See Source »

Despite the film’s varied artistic strengths, a significant drawback are the sometimes-confusing transitions and occasional lack of continuity. The latter is especially evident when Ida’s son is suddenly introduced as an adult after an inexplicable temporal leap in the narrative. To make matters...

Author: By Francis E. Cambronero, CONTRIBUTING WRITER | Title: Vincere | 4/6/2010 | See Source »

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