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...ready to adjudge America as an excessively violent country in which brutal, irrational force can erupt any minute on a massive scale. This view is reinforced by the sheer driving energy of the U.S. It seems confirmed by the American folklore of violence-the Western and the gangster saga-which audiences all over the world worship as epic entertainment and as a safe refuge for dreams of lawless freedom. In a very different way, the view of America the Violent is also reinforced by the Vietnamese war, in which critics both at home and abroad profess to see a growing...

Author: /time Magazine | Title: Essay: VIOLENCE IN AMERICA | 7/28/1967 | See Source »

...production at Tors's studios and animal compounds, scattered from North Miami and Saugus, Calif., to Nairobi and the Bahamas' Lyford Cay, are such offbeat features as Hello Down There, a futuristic comedy about a family living in a deep-sea bungalow, and Natural Enemies, the saga of a young couple adopted by a pride of lions. This fall, Tors will have five TV shows in the early-evening time slot, five more in reruns and a strong claim to succeed Walt Disney as the leading producer of family films...

Author: /time Magazine | Title: Hollywood: King of the Beasties | 6/16/1967 | See Source »

Charles Lindbergh's flight occurred 40 years ago last week, and no one under 50 can fully appreciate what it meant. It became America's national saga, all the more classic because its hero was to be shadowed by tragedy and did not prove to be free of flaws. "Slim" Lindbergh looked like the original country rube, with cowlick and baggy breeches, and he stirred folk memories; there was about him something of the raggedy fellow at the Sherwood tournament who outshoots the sheriff's best archers...

Author: /time Magazine | Title: Essay: LINDBERGH: THE WAY OF A HERO | 5/26/1967 | See Source »

Hallelujah, Baby! Broadway frequently believes that it is more blessed to borrow than to beget, which is why so many musicals seem like retrospective shows of previous shows. Hallelujah, Baby! takes the standard saga of a showbiz Cinderella who wants a Shubert Alley marquee for her tiara and combines it with an up-from-wage-slavery plot dating from the social-protest '30s. The only novelty is that the protagonists are Negroes. While it affects to be a six-decade panorama of Negro advancement, the show is more like a petrified forest of liberal and sentimental clich...

Author: /time Magazine | Title: Theater: Cinderella Is a Negro | 5/5/1967 | See Source »

...command of SHAPE-Supreme Headquarters, Allied Powers Europe. SHAPE has never even had to put its troops on general alert. Though its enemies have failed to make it retreat, however, an ally has succeeded. Last week, obeying the wishes of Charles de Gaulle, SHAPE officially left France, ending the saga of NATO on French soil. While the flags of NATO's 15-member nations were lowered and a military band played a Napoleonic march, it bade adieu to its sprawling prefabricated compound at Rocquen-court, the site of ancient Bourbon hunting grounds, and moved to the small town...

Author: /time Magazine | Title: France: Adieu | 4/7/1967 | See Source »

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