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...major part of their mission was far from forlorn. This week, socialites, diplomats and balletomanes were flocking to the Metropolitan Opera House to see them. Even at $9.60 top, not a seat was empty for the U.S. debut of the finest classical troupe west of Moscow: the Sadler's Wells Ballet from London's Royal Opera House, Covent Garden...

Author: /time Magazine | Title: Music: Ballet in Force | 10/17/1949 | See Source »

Most of the calls were for the Sadler's Wells top choreographer, lean, 42-year-old Freddie Ashton, whom London critics were quick to praise as "the first Englishman to devise a full-length ballet." He had used most of the gay, though sometimes brittle and bony score that Prokofiev had composed on a Kremlin commission during the war, but he had taken nothing of the Bolshoi Theater's spectacular and even longer ballet. A typical difference: while Ashton has his hero stay close to home, the Russians sent their Prince Charming chasing around the world after...

Author: /time Magazine | Title: Music: Cinderella in London | 1/3/1949 | See Source »

...ticketseller at London's Sadler's Wells Theater, the words themselves made music: "Sorry, sir, no seats-we're a success." For a fortnight, Londoners had been flocking to hear the new opera of lanky Benjamin Britten (TIME, Feb. 16)-his fourth in four years...

Author: /time Magazine | Title: Music: Old Beggar in New Clothes | 9/27/1948 | See Source »

London's famed Sadler's Wells company was putting on a new ballet. The orchestra struck up Haydn's cheerful "Clock" Symphony. Onstage, the audience saw a twelve-foot grandfather clock with human hands and a swinging pendulum of dancers' legs. But to go with Haydn's rippling music, Choreographer Leonide Massine had scraped up a trivial love story between an insect princess and a human clockmaker, and set it dancing with steps that were largely borrowings from a dozen Massine ballets. About all that made the evening enjoyable, particularly...

Author: /time Magazine | Title: Music: Pin-Up Ballerina | 7/5/1948 | See Source »

Moira Shearer's pert, clean-limbed dancing is by no means up to the superb technical and dramatic skill of Sadler's Wells' prima ballerina, Margot Fonteyn. But Moira does have what one starry-eyed London critic called "deerlike littleness and midsummer coloring...

Author: /time Magazine | Title: Music: Pin-Up Ballerina | 7/5/1948 | See Source »

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