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Othello is Orson Welles, surrounded by a number of movie techniques taken from Murder at the Rue Morgue. Any resemblance to a Baroque (as opposed to Mannerist) play written by W. Shakespere, also known as William Shakespeare, is, however, coincidental. Some will feel that all's well that ends Welles, but most will enjoy him for his own sake at the Beacon Hill...

Author: NO WRITER ATTRIBUTED | Title: Weekend Events | 2/10/1956 | See Source »

Vipers & Pearls. The name "Bergère" has nothing to do with shepherds, but was borrowed from the nearby Rue Bergère; the term "Folies" once denoted a lushly thicketed lovers' trysting ground, later came to mean a public place for open-air entertainment. When the Folies-Bergère first opened its doors on May 1, 1869, it specialized in jugglers, acrobats, clowns, wrestlers, singers, a woman with two heads and a "prodigious magician who swallows live snakes, rips open his stomach, and instead of vipers, pulls out Oriental pearl necklaces which he distributes to the ladies...

Author: /time Magazine | Title: The Theater: The Shapely Girls | 2/6/1956 | See Source »

...half a century, Americans in Paris -sophisticates and innocents alike-have felt the same way about the American Express office. To them, the grimy faced, flatiron-shaped building at 11 Rue Scribe, across the street from the Opera, has been their home away from home. It has handled their mail (750,000 pieces a year, addressed simply c/o American Express, Paris), cashed their checks, even furnished them with "jeunes filles de bonne famille" for babysitters. Through its portals as many as 10,000 Americans have thronged each day in search of information, messages or waiting friends...

Author: /time Magazine | Title: TRAVEL: Home Away from Home | 10/24/1955 | See Source »

Supermodern Island. Last week progress and change came to 11 Rue Scribe. A gang of builders invaded the old structure, gutted the ground floor and prepared to rebuild the entire six floors. Only the outside will remain the same. France's "Law on Historic Monuments" jealously prohibits tampering with the building's traditional façade; city officials refused even to let American Express sandblast its grimy exterior lest this make the nearby grimy Opéra look even dirtier...

Author: /time Magazine | Title: TRAVEL: Home Away from Home | 10/24/1955 | See Source »

When the rebuilders finish April 15, the inside of 11 Rue Scribe will be a supermodern island of U.S. business efficiency in the old world. Gone will be the curlicued wrought iron balustrades, the clutter of desks on the ground floor, the buckety old elevators so useful to a lonely tourist trying to strike up an acquaintanceship with a pretty Iowa schoolmarm. In their place will be $750,000 worth of electronic gadgets, air conditioning, an escalator and labor-saving business machines. Last week, as traditionalists complained, American Express President Ralph T. Reed explained: "Travel has become big business...

Author: /time Magazine | Title: TRAVEL: Home Away from Home | 10/24/1955 | See Source »

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