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Erickson specializes in econometrics and economic planning, particularly Soviet economic planning. This background is unusual, Roy Radner, Harvard's visiting Taussig Research Professor and Erickson's thesis adviser at Berkeley, said yesterday. Mathematical theory is usually applied to western economies. he added...

Author: NO WRITER ATTRIBUTED | Title: Erickson Accepts Teaching Position | 3/16/1978 | See Source »

First Team: Goal-Mike Laycock (Brown); Defense-Peter Shier (Cornell) and Tim Bothwell (Brown); Forwards-Lance Nethery (Cornell), Roy Kerling (Cornell), Tom Cullity (Penn), and Jim Bennett (Brown...

Author: NO WRITER ATTRIBUTED | Title: SCOREBOARD | 3/15/1978 | See Source »

Ambassador Alfred ("Roy") Atherton suffered a rude shock. The man who administered it was Israeli Premier Menachem Begin. While discussing the stalled peace negotiations, Begin told Atherton that he believed United Nations Resolution 242, which, among other things, calls for the withdrawal of Israeli forces from occupied territories, does not apply to the West Bank. Begin's curious argument: under the terms of 242, the Israelis need withdraw only from territories whose sovereignty they recognize, and Israel has never recognized Jordan's sovereignty over the West Bank...

Author: /time Magazine | Title: MIDDLE EAST: Intransigence as Policy | 3/13/1978 | See Source »

...there's something heartwarming about a touch this sure, and the wisdom and taste to know when sentimentality is appropriate. Every once in awhile, this can be exhilerating: a jaunty succession of browned still photographs of Cersu and the company of Russian explorers, for example, would make George Roy Hill hide his head in shame. A "nice" film--if you see it, you'll like...

Author: NO WRITER ATTRIBUTED | Title: Only So Funny... | 3/9/1978 | See Source »

...dreamy forest of Debussy's Prelude to the Afternoon of a Faun, the lightness of Saint-Saens's Piano Concerto No. 2 and the Bohemian flavor of Dvorak's Symphony No. 8 in G were all pleasing to the ear and mind. The technical performance of the musicians--particularly Roy Kogan's solo in the Saint-Saens concerto--was also fine. The Dvorak ended the concert with confidence, power and skill...

Author: By Richard Kreindler, | Title: Reverie at Sanders | 3/8/1978 | See Source »

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