Word: royed
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...Once a decade ought to fill such need as we have for tallish tales about brawny, if disheveled, folk heroes rallying the clans against the English interlopers. But here comes Mel Gibson's Braveheart, recounting the revolutionary doings of myth-enshrouded William Wallace in the 13th century, while Rob Roy, featuring Liam Neeson as the legendary 17th century freedom fighter, is still in the theaters. One has to suspect that this curious coincidence is inspired less by a sudden Hollywood interest in the murkier realms of British history than by an irresistible temptation to get a couple of cute guys...
...subtle for a mere movie reviewer to contemplate, he is left with broader, possibly less relevant, judgments to pass. Chief among them is this: Braveheart is too much, too late. Gibson, who directs himself in Randall Wallace's screenplay, starts with certain disadvantages vis-e-vis Rob Roy: Sir Walter Scott never wrote a novel about William Wallace, and no one named a cocktail after him either. Got a real name-recognition problem here. Got a real length problem too. Braveheart runs almost three hours, and though it's full of incident, including several big and expertly staged battle sequences...
Movies about early Britain starring dirty men in kilts (See "Robin Hood," "Rob Roy," and "Highlander" 1 and 2) seem to be popular these days, so Mel Gibson's "Braveheart" comes as no surprise. Gibson tackles this feature as director, producer, and starring actor. He's evidently spreading himself too thin, because although the movie begins promisingly, it soon grows dull and repetitious, relying on old Hollywood tactics to reel in its audience...
...work. Transferring popular video games to the big screen, for example, has proved expensive and unproductive -- witness the Super Mario Brothers and Streetfighter films. Undaunted, New Line is bringing the mano-a-macho belligerents of Mortal Kombat to movie life. And what's with all these kilts? First Rob Roy, then Gibson's Braveheart. It's one more genre, like westerns (and astronaut films), that studios make mostly because veteran stars and directors want to. Walter Hill has a new western, Wild Bill, with Jeff Bridges, and the principals hope it will imitate the popular oater Tombstone and not Wyatt...
...people that got TSS up and running in 1966-67. Unlike Windows 3.1, TSS time slice appropriations were under the control of the system operator, through the supervisor (resident program in core memory). The reason was the same then as now; people exaggerate the priority of their applications. Roy Bercaw Cambridge...