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Word: rows (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

Sitting in a rear-row seat, right next to Freshman Senator Truman, Freshman Senator Minton gave his theory of a highly flexible Constitution a bumptious workout. In 1937, after the New Deal had given up its court-packing scheme, he proposed a drastic change in the Supreme Court's procedure-one which would require a two-thirds majority in all decisions dealing with the constitutionality of acts of Congress. Minton later toyed with the Constitution again, when he introduced a bill to gag the press by imposing a $1,000,-to-$10,000 fine on publications which printed...

Author: /time Magazine | Title: THE JUDICIARY: Call for a Friend | 9/26/1949 | See Source »

With the backing of influential, politically ambitious Inquirer Publisher Walter Annenberg, he set out to work a minor revolution: nominating new men for Philadelphia's key "row offices"-controller, city treasurer, coroner and register of wills. This meant scuttling an old party wheelhorse, Controller Frank J. Tiemann, who was up for re-election in November. Meade refused to give him the party blessing for the primary. In the process, Meade almost lost one of his strongest political allies, heavy, red-faced Sheriff Austin Meehan. "Frank's my pal," cried the sheriff. "He's in trouble...

Author: /time Magazine | Title: POLITICAL NOTES: New Faces in Philly | 9/26/1949 | See Source »

...apartments: "modern" studios sandwiched between lead-heavy Jacobean dinettes and cluttered Victorian parlors. His stark plywood chairs were ornamented with fussy crocheted antimacassars, his baby carriages fashioned like battleships. The level-headed modern designer, set loose among America's gingerbread and fake Tudor suburbs and neo-Renaissance row houses, was in danger, according to Steinberg, of having his dearest creations turned into a series of meaningless stylistic mannerisms...

Author: /time Magazine | Title: Art: For Persistent Shoppers | 9/26/1949 | See Source »

...state-fair art show in the country, gave its first prize in oils to a poster-slick abstraction of a stage set that might have come out of a studio in midtown Manhattan. Iowa's prizewinner (in the '30s Grant Wood once won three firsts in a row) was a somber doorway that could have opened into a house on almost any Main Street in the land. California's winners, hung in a monster open-air cabana over beds of dazzling yellow marigolds, were low-keyed oil portraits with little sunshine in them. California cautiously separated...

Author: /time Magazine | Title: Art: Fair Art | 9/19/1949 | See Source »

Hair on the Chest. Singing so that back-row listeners could actually heaf was another problem. But this season plenty of top-rankers were on hand to try. On the nights when the Metropolitan Opera's Ferruccio Tagliavini sang Tosca and Lucia di Lammermoor, there were few empty seats; fans gladly paid double prices to hear once-barred (for alleged collaboration) Tenor Beniamino Gigli sing the operatic twins "Cav" and "Pag" (Cavalleria Rusticana and I Pagliacci) with popular Soprano Maria Caniglia and Baritone Tito Gobbi. Even 60-year-old Tenor Tito Schipa was on hand...

Author: /time Magazine | Title: Music: Opera at the Baths | 9/12/1949 | See Source »

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