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...film festival would be incomplete without studies of filmmakers. The TFF had at least three: of Roberto Rossellini and his part-time muse Ingrid Bergman, and of two auteurs who were so "indie" they were nearly isolated: Robert Frank and Jack Smith. I skipped the Rossellini movie, though it was made by the wonderful Canadian zany Guy Maddin, because I heard that some members of the Rossellini family were outraged by it, and I was not in a mood to take sides between two groups I respect. In Robert Frank: Leaving Home Coming Home: A Portrait of Robert Frank, director...

Author: /time Magazine | Title: A Feast of Documentaries | 5/5/2006 | See Source »

...recent years, Lancôme has preferred a bevy of faces to a single girl. Diane Kruger and Elizabeth Jagger star in the brand's advertising campaigns, while Inès Sastre has represented Lancôme for a decade. She replaced Lancôme's most famous ambassador, Isabella Rossellini, whose collaboration with the brand in the '80s and '90s transformed her from a model known as the daughter of Ingrid Bergman and Roberto Rossellini into an international personality. It also cemented Lancôme's position as a global beauty powerhouse with the blockbuster fragrance Tr?...

Author: /time Magazine | Title: A Natural Choice | 3/8/2006 | See Source »

Today it's hard not to recognize Dolce's Sicilian roots, so ingrained are they in the fashion iconography of the late 1980s and '90s: Isabella Rossellini posing as an actress in the style of the neorealistic cinema that her father founded; Linda Evangelista and Christy Turlington dressed as showgirls falling in love with Italian boys in New York City's Little Italy; Monica Bellucci re-enacting Fellini's La Dolce Vita. The designers' ad campaigns alone?most shot by Steven Meisel?are a lesson in vintage Italian style...

Author: /time Magazine | Title: Living la Vita Dolce & Gabbana | 11/29/2005 | See Source »

Spielberg has said he wanted to make a film about "American refugees." He thinks of northern New Jersey as postwar Europe. There, survival was a form of heroism, and filmmakers like Roberto Rossellini etched stories of a continent of the homeless. So this is Spielberg's Open City or Germany Year Zero, disguised as When E.T.s...

Author: /time Magazine | Title: Movies: Running from the Rays | 7/3/2005 | See Source »

...Danish directors will get their own taste of freedom when they start shooting their Dogme films later this year. What accounts for Dogme's staying power? After all, it wasn't the first wave of cinematic minimalism: the Italian neorealists in the 1940s, like Vittorio De Sica and Roberto Rossellini, insisted on shooting on location, often using nonprofessional actors and live sound; so, too, did the auteurs of the French New Wave in the 1960s (from which Dogme borrows some ideas). And at first, nobody but its creators took Dogme seriously - it took three years for a Dogme film...

Author: /time Magazine | Title: Old Dogme, New Tricks | 4/24/2005 | See Source »

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