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...sprawling show that opened this month at the Guggenheim Museum in New York City, "1900: Art at the Crossroads," is sure to be a hit with the public. It was a smash in London. Organized by art historian Robert Rosenblum and consisting of 240 paintings and sculptures, it takes an ecumenical and almost judgment-free view of its task, which is to show what kinds of art were being made at the last turn of the century, when the idea of modernism in culture was just forming, and when some of the most admired artists bore names you'd hardly...

Author: /time Magazine | Title: Art: The Stuff Modernism Overthrew | 6/5/2000 | See Source »

...potential terrorists to enter its borders daily. Perhaps Mexico should insist on the return of lands stolen from it by the U.S., and of course it should insist that every day workers who wish to cross the Texas and California borders must be allowed to do so. SAMUEL J. ROSENBLUM New York City

Author: /time Magazine | Title: Letters: Oct. 13, 1997 | 10/13/1997 | See Source »

...films nominated in this category are typically action films, which helped get Crimson Tide and Seven their nods, though they were not cited for Best Picture. It is also why this year's nod to Babe wins cheers even from a rival, Braveheart's Steven Rosenblum: "Groups like the Academy often don't recognize how well edited these quiet pictures are." Seven's Richard Francis-Bruce adds that the contemplative Il Postino deserved a mention for its deft matching of shots, within the same scene, of the ailing Massimo Troisi and his body double who appears in about half...

Author: /time Magazine | Title: CINEMA: THE KINDEST CUTS | 3/25/1996 | See Source »

...where he should go, since the editor must also be a storyteller with scissors. Mel Gibson, director and star of Braveheart, praises editor Rosenblum for his "story sense," which allowed them to cut entire chunks without losing the flow. One cut: a long sequence in which the hero catches wind of a British ambush planned to take place at his wife's grave. Gibson has a graphic metaphor for experienced editors: "They're like great surgeons, able to make the right kind of adjustments in places that most of us wouldn't look for. They get into that room with...

Author: /time Magazine | Title: CINEMA: THE KINDEST CUTS | 3/25/1996 | See Source »

...commitment to carry it. Ovation, a proposed fine-arts network, and the History Channel, offering documentaries and historical movies and mini-series, both plan a January launch but are having a hard time building up a subscriber base. "The way the rules are structured today," says Barry Rosenblum, president of Time Warner Cable of New York, "cable operators are only motivated to launch services that are unregulated. And those may not be the best services for our customers...

Author: /time Magazine | Title: TELEVISION: Cable's Big Squeeze | 6/27/1994 | See Source »

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