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...interceptors. Lieut. Bush signed up for a program that rotated Guard pilots to Viet Nam, but he wasn't called. Instead he held short-term jobs, including a stint at Pull for Youth, a Houston program serving ghetto youngsters. "I wasn't interested in taking root," he says. "I was having fun." Once, with Marvin as company, he decided to take a few of the Pull for Youth kids on a plane ride. One of them became abusive and refused to be hushed. So George used a simple pilot's trick: he momentarily stalled the engine, scaring his passengers into...

Author: /time Magazine | Title: Junior Is His Own Bush Now: GEORGE W. BUSH | 7/31/1989 | See Source »

...would seem difficult to root for the success of such an unpleasant character, but Casey artfully provides good reasons for doing so. Pierce's "swamp Yankee" pride is based on a fierce, if sometimes obnoxious, integrity. He does not ask for anything except the chance to make a decent living at what he knows best. The world needs seafood, and Pierce has learned through long experience how to find and catch it. He is, in fact, an archetypal figure in American literature, the little guy at odds with big institutions, battling the triumph of newfangled shoddiness over old traditions...

Author: /time Magazine | Title: Books: Deep Currents | 7/17/1989 | See Source »

...historic Treaty Oak -- alleged site of a treaty signing by Native Americans and Father of Texas Stephen F. Austin -- has been receiving the kind of diligent attention usually given a gravely ill head of state. A team of eleven has meticulously removed the contaminated soil from around its huge root network, and last week billionaire H. Ross Perot flew in 18 technical specialists from around the nation to assist in a bedside diagnosis...

Author: /time Magazine | Title: Texas: Please Don't Die, Tree | 7/10/1989 | See Source »

...Matisse; in sculpture, Constantin Brancusi. Wilmarth was a man of wide visual curiosity, but of all modernist movements the one that interested him most was symbolism, which reached its height around 1890 under Mallarme's leadership and which, through its effect on Matisse and others, lay at the very root of 20th century art. For the symbolists, art was a matter of evocation, not description...

Author: /time Magazine | Title: Art: Poetry In Glass and Steel | 6/26/1989 | See Source »

...with a spidery backrest of hickory spindles. But his genius is essentially Oriental, akin to that of Zen rock gardening and Oriental flower arranging. Nakashima selects the exact natural object needed to serve a particular purpose. For a recent table, he used an 8-ft. cross section of redwood root. The wild energy of the wood, complete with cracks and holes, strains outward, as if it were trying to dissolve back into the ground. But the wood is held together in places with 4-in.-wide butterfly-shaped splints of walnut, Nakashima's signature method of prompting the ancient...

Author: /time Magazine | Title: Design: Something Of a Druid | 6/26/1989 | See Source »

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