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What, then, does Mansfield mean? Homosexual attachments are "stunted" precisely because their object of affection is another person fundamentally like the self; there is a kind of narcissism involved at the root of homoeroticism. The "civilizing" effect which Mansfield attributes to heterosexual relationships is precisely that of drawing the individual out of narcissistic self-preoccupation into relation with another human being. It is not merely the difference between men and women (lest the BGLSA seize upon the argument as an apology for bestiality) but the psychological complementarity of male and female which make man and woman necessary counterparts...

Author: By Christopher B. Brown, | Title: Homosexuality's Frustration and Shame | 10/26/1993 | See Source »

Natalie G. Miniutti, a Yale graduate, comes every year, even though her husband is a Harvard alumnus. It has not weakened her school loyalty, Miniutti said. "I root for Yale," she said. "Obviously...

Author: By Etan J. Cohen, | Title: 200,000 Arrive for 'Head' Race | 10/25/1993 | See Source »

That a good number of Black and non-Black students attended this occasion was a marvelous tribute to DuBois' life-long quest to cosmopolitanize the American psyche and to root out its twisted nativisms. Martin L. Kilson Thomson Professor of Government

Author: NO WRITER ATTRIBUTED | Title: Some Additions to W.E.B. DuBois's Biography | 10/25/1993 | See Source »

...does Dean Epps root for the home team...

Author: NO WRITER ATTRIBUTED | Title: Better Dead than Head | 10/21/1993 | See Source »

Perhaps the root of Chase's vibrato "problem"and the lack of fluidity characterizing herphrases lies in her experience as aperiod-instrument performer; playing frequently inarchaized style without vibrato and with notesseparated by the constraints of the baroque bow,she had become unused to the Romantic way ofplaying. But the precision of the next piece, theBeethoven Septet, suited her, and all those whoperformed in it. With Arturo Delmoni on viola,Ronald Thomas as `cellist, Timothy Cob as bass,Thomas Hill as clarinet, Donald Bravo playingbassoon and Robert Rauch again on French horn, theintimacy of the ensemble prevented thesemiorchestral atmosphere...

Author: By Bernadette A. Meyler, | Title: Not Even A Twist Or Turn | 10/21/1993 | See Source »

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