Word: rocked
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Dates: during 1970-1979
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That was the period when Townshend started to push. "I thought we had to do something grand, almost daft ... and possibly pompous." That was Tommy, and The Who finally had what it was after: a general audience success to match its reputation among rock fans...
Daltrey played the first Tommy tour with a nose that had been broken "playfully" by Pete; Moon continued his spiritual dedication to rock-'n'-roll excess, working almost as much havoc on his own body as on the rooms he inhabited during tours. A hotel manager once appeared in Moon's room when he was playing a cassette at top volume and insisted he turn down "the noise." In a flash, Moon reduced the room to splinters, announcing, "This is noise. That...
Moon, who could also be wonderfully benign and sweet-tempered, a sort of rock-'n'-roll Shakespearean fool, commanded perhaps the greatest affection from the audience. He was also dosing himself for disaster, and he began to undermine the group. During an American tour in 1975, he failed to show up for a sold-out concert in Boston and, Daltrey says, "Pete never forgave him." Townshend and Daltrey had wrangled bitterly over Quadrophenia, and during the first half of the '70s each member of the band had spent as much time on his own solo projects...
...appeared before a public hearing in Boston that was called to determine whether the Who concert scheduled for Dec. 16 should be allowed to take place. Mancusi-Ungaro said that it should, and afterward explained why: "The Cincinnati incident was a loss, but to set a precedent for canceling rock concerts based on that tragedy would be inappropriate. Someone at the hearing asked me why this happened at a Who concert, instead of some other group's. I told them it wasn't the band, or the type of crowd. It was the ticket system...
Fewer than 20% of the Cincinnati tickets were for reserved seats. The rest were for so-called festival seating, a sort of first-come-best-seated system that many of the country's major rock venues have long since given up as unworkable. Says Tony Tavares, director of the New Haven Coliseum where The Who will play this week: "When you sell a general admission ticket, you're challenging your crowd to get to the best seats in the house first. You're creating a system of pandemonium." New York City's Madison Square Garden, which...