Word: robbings
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Proponents of the game say that recent policies have been just another attempt by the administration to rob students of social opportunities. Yet perhaps instead of putting up posters which invite Quincy residents to "Play it while it's Still Legal," its participants should pause for a moment to consider whether assassin encourages House unity or whether it is simply a symptom of the lack of opportunities for real social interaction within our community...
...climbed the fence and reached into the pine trees to rob Bulldog third baseman Mike Kahney of a sure home run in the fifth and then snagged a sinking pop-up off the bat of center fielder Keith Reams in the eighth...
...alone in this view. Tufts University professor Daniel Dennett, an enthusiastic and prolific memeticist, acknowledges that it's an unsettling philosophy. "People are terribly afraid that this is going to rob them of authorship and creativity, that it will be the swallowing up of the self." That fear, he speculates, may account for some of the vehemence of the opponents of memetics. "The view of the self that emerges from a proper evolutionary account," he says, "is different enough from the tradition that it can get people fairly upset." One advantage of memetics over tradition, Dennett points out, is that...
David Arquette's character, Josie's brother Rob, is the second motivator that pushes the cathartic journey along. He was once the classmate who egged on Josie's ridicule, a ridicule which snowballed into a series of nightmarish events that the movie chronicles through periodic flashbacks. But the sophomoric days of brotherly derision are behind him, and now he boosts his sister's morale in all the right situations while trying to improve his own stagnant life. In the meantime, his antics offer some great quips and scenes guaranteed to have you doubled you over in laughter...
...London with Jah Wobble, the club fusion outlet Transglobal Underground and in Page and Plant's 1998 European Tour. Gedida is her third album. And perhaps, enough. Atlas' climactic introduction is just a prelude to ten long, indistinguishable tracks, Gedida has everything--hip hop, London dance beats, samplings from Rob Base & E-Z Rock, industrial tones, traditional chants, Egyptian indigenous bluesy pop and Arabic lyrics about truth and political oppression--but these flavors are overfused and hyper-blended into watered-down mush. In including too much, Geddia is mostly empty and ineffective. It doesn't make you want to dance...