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Word: rigoletto (lookup in dictionary) (lookup stats)
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...make you look silly. I usually wear a painted one." But for publicity photos one day last week, he tried on a two-pronged affair on a nylon gauze mounting. It fitted so well ("You didn't know it was there") that he decided to wear it in Rigoletto at Covent Garden that night...

Author: /time Magazine | Title: Music: Jet-Engine Effect | 1/12/1953 | See Source »

...down in San Francisco two seasons ago. It sent only a mild tremor through the Met's formidable masonry. "Singing Tosca," chirped the Daily News, "she made an excellent Mimi." But at week's end Baritone Robert Merrill got off to an impressive start in his first Rigoletto, and his divorced bride Soprano Roberta Peters, as Gilda, matched him with a Caro nome that stopped the show...

Author: /time Magazine | Title: Music: Met's First Week | 11/24/1952 | See Source »

...Verdi's fieriest scores, some of his most memorable arias, e.g., the soprano's Pace, Pace and the old Caruso-De Luca specialty, Solenne in Quest' Ora (Swear in This Hour). Director Bing, who has already restyled Verdi's Don Carlo, Aida and Rigoletto-and who wants "very much to have in this house a complete Verdi cycle" -settled on Forza for his 1952 opener...

Author: /time Magazine | Title: Music: Curtain Going Up | 11/17/1952 | See Source »

...sides LP). An Italian cast, including Tenor Mario Filippeschi, Soprano Caterina Mancini, Mezzo Giulietta Simionato and Baritone Rolando Panerai, gives a fine performance, as does the Orchestra and Chorus of Radio Italiana under Vittorio Gui. The recording is excellent. Less successful: Remington's Rigoletto (6 sides LP), performed by undistinguished soloists and a lackluster orchestra and chorus of Florence's Maggio Musicale. The recording is fair...

Author: /time Magazine | Title: Music: New Records, Mar. 17, 1952 | 3/17/1952 | See Source »

...Vienna. For one thing, she had found that the Met was "a warm house," that its audiences "know the fine points of arias and give their applause with perception." Moreover, "the most beautiful voices in the world are here [in the U.S.] ... I have never heard a better Rigoletto than Leonard Warren, or a better Duke than Richard Tucker." And as for Mozart's Cosi Fan Tutte, a pride of the Vienna company, she now has the sad duty of breaking the word that the Met's new production (TIME, Jan. 7) is even better...

Author: /time Magazine | Title: Music: Visitor from Vienna | 1/14/1952 | See Source »

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