Word: ria
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...State Superior Court is the site of a suit brought by the State Board of Education against the School Committee over violation of the state Racial Imbalance Act (RIA). In November the state introduced an integration plan which is now under consideration by the court. The plan would rearrange Boston school districts by next September and drastically reduce the number of segregated schools...
...serves ten. The wine cellar contains an outstanding assortment of Moselle. The tables are decorated with well-worn pewter, the five public dining rooms provide the kind of labyrinthine privacy that politicians prefer, and the two private rooms are perfect for In-timpolitik. Presiding over all is Owner-Hostess Ria Alzen, a 55-year-old divorcee of quick wit and ready warmth. Because of her, the restaurant is usually referred to merely as Ria's, and the establishment is as well known as the Palais Schaumburg...
...Hungry. Ria's daily guest list is usually a West German Who's Who and who's hungry. Foreign Minister Willy Brandt may be eating at one table; he dines bei Ria so often that she refers to him familiarly as "der Willy" and sees to it that his after-dinner coffee always contains the shot of rum he favors. At another table may be West German President-elect Gustav Heinemann. Berlin's Mayor Klaus Schiitz, a patron since his days in the Bundestag, is always seated at the same table overlooking the garden: he usually...
...have been restaurateurs for 176 years; her father bought Maternus in'1908, when it was merely a "wine cafe" serving Rhine wine and cold dishes. One guest, while the restaurant was a U.S. Army officers' club in 1945, was two-gun George Patton: the general candidly admired Ria's legs but never commented on the food. After Bonn became the federal capital and Ria became Maternus' sole owner, the restaurant's political era began. Konrad Adenauer liked to greet Ria, a fellow Rhinelander, in local dialect; he became a regular. Successor Ludwig Erhard became another...
...This fondness for movable sculpture qualified De Maria as a progenitor of the busy school of "Optional art," whose practitioners in vite viewers to play a sort of game by rearranging various objects in a composition to suit their own tastes. Avant-garde collectors began to buy De Ma ria's work. He was soon able to have them made up in steel rather than wood, and the games became more diabolical. His 1965 Instrument for La Monte Young looks like an innocent, slender metal box with a ball in it. But De Maria designed it with microphones...