Word: rhythmics
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...Fugitive," Mr. Hancock displayed appropriate emotional wormth, and careful enunciation of the text--a virtue too rare among singers. In the movements from Mendelssohn's classic D minor Trio, Messrs Hall, Coolidge and Rossbach gave evidence of the cardinal qualities of ensemble playing in a performance that was incisively rhythmic and frequently brilliant, while Mr. Barry showed equally commendable facility in the idiomatic Fantasie by Poppler...
...pianistic revision of a Sarabande of Rameau and contrasted with this Schumann's "Des Abends." His poetic interpretation of Macdowell's Prelude won for him most enthusiastic applause. Unusual interest was manifested in Mr. Schmied's own compositions. Though very simple in form they showed interesting harmonic development and rhythmic variety. "Jardins sous la pluie" was the favorite of the Debussy numbers...
...April 17, the boat was moving very fast. The crew was remarkably well together for so early in the season, and Sargent still had his ability to row a high stroke and keep it for a long distance, or to raise or lower it at will without losing his rhythmic heat. His stroke was well proportioned and full of life. At that time the crew was rowing as well as if not better than it is today. The Columbia race was won easily by six lengths, the race in itself being no test...
...been satisfactory to Coach Wray. His rowing is short and in the last mile and a half of last evening's time row he was late in his work and the boat was practically stroked by Waid at 7. Sargent seems to have lost his life and the rhythmic beat which was so characteristic of his work last year. If the rowing tomorrow shows that Cutler is able to row a long high stroke and hold it for a long distance, the change in all probability will remain. Cutler's work last year as stroke of the 1911 Freshman crew...
...first Symphony Concert of the season last night Dvorak pieces predominated and made the program unusually interesting. Of the three numbers by this composer, Overture to "Othello," Suite in D major, and "The New World Symphony," the second was conspicuous. It has unexcelled rhythmic movement. The program contained also Mozart's aria, "Deh' Vieni," from "Marriage of Figaro," Massenet's "Air de Griseldis," and Morzkowski's "Pres du Berceau," with Mrs. Methot as soloist. Mrs. Methot's voice, though technically finished and well-rounded is without warmth and her interpretation is colorless...