Word: rhythmically
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Dates: during 1990-1990
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...with a song that makes her right for the kind of reappraisal this set encourages and amply justifies. Jazz fans should also take note. Rhino has just released a 16-track compilation called Jumpin' at Capitol: The Best of the Nat King Cole Trio, a heavenly slice of rhythmic virtuosity covering the years...
Schuller calls Epitaph "a musical summary of one of the great jazz composers of the century, from the sweet and gentle Mingus to the angry Mingus." In style, Epitaph is characteristic of his orchestral compositions: echoes of gospel songs and his acknowledged master, Duke Ellington; abrupt rhythmic shifts; fleeting lyrical passages (often scored for piano or vibes) that unexpectedly explode into dissonant choruses of yawps and growls; high- register solos underscored by ostinato refrains on basses and trombones. Some of the sections allow for considerable improvisation: a full-throttle version of Better Get It in Your Soul -- one of Mingus...
...forced to give accounts of themselves, and the assembly was not about to let them get away with long-winded, cliche-laden speeches. Where past Kremlin meetings greeted boiler-plate presentations with perfunctory outbursts of applause, this one constantly interrupted party ideologist Vadim Medvedev's lackluster presentation with insolent rhythmic clapping. When chief economist Leonid Abalkin warned delegates that the socialist idea had begun to lose its popular appeal and the only way to save it was to switch to a market economy, he was greeted with derision. The warmest ovation was saved for conservative hero Yegor Ligachev, who fired...
...these new elements add to, rather than detract from, Hornsby's original style. This is best demonsrated on the title track, whose bluesy, driving harmonies are underscored by Hornsby's rhythmic piano, rock guitar and some nice Yamaha synth sounds. The result is a pumped-up "Look Out Any Window" (but without the politically correct lyrics...
...conducted very much in what Washingtonians know as the Rostropovich style: wild flailing of the arms, much tossing of the silvery head, impassioned appeals for more emotion. The audience responded with a standing ovation, rhythmic clapping, showers of carnations. For his fourth encore, Rostropovich burst out with a rousing salute to his new homeland, John Philip Sousa's red, white and blue chestnut, Stars and Stripes Forever. The audience -- including Raisa Gorbachev -- gave one last standing ovation. At a reception afterward at the U.S. Ambassador's residence, Rostropovich greeted friends with kisses and bear hugs and vodka toasts. Asked...