Word: rhett
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...result--four solid hours of Civil War South, negro mammies, hoop skirts, and Clark Gable, all in technicolor--is mighty impressive. Vivien Leigh is absolutely all that could be asked in the way of charm, and Clark Gable, as everyone has known since the book was first published, fits Rhett Butler to perfection...
...book has a claim to be great literature, it is because of the wide variety of characters portrayed so skillfully and so vividly. Pre-and post-Civil War South has been discussed before, and will be many times again; but never has there been a Scarlett and a Rhett, an Ashley and a Melanic, an Ellen, a Gerald, a Mammie, a Belle Watling, and such a profusion of individual minor characters, all so real and so credible. Some are types, perhaps, and yet they all have the spark of life. In the movie they are reproduced with amazing fidelity...
...destruction of the South's civilization in the War between the States, told as the case history of two plantation families, the red-blooded O'Haras and the blue-blooded Wilkeses, had been better told before. The overlapping loves of Scarlett O'Hara for Ashley Wilkes, Rhett Butler for Scarlett O'Hara, could be read in any confession magazine...
...cinemillions had already unanimously voted that Clark Gable must play Rhett Butler. Selznick also bowed to them when he cast Olivia de Havilland as sweetish, big-eyed, thrushlike Melanie Hamilton, Leslie Howard as smooth, anemic, intellectual Ashley Wilkes, Laura Hope Crews as futile, flustered foolish Aunt Pittypat. Two of Selznick's minor castings were inspired: 1) Thomas Mitchell as old hard-riding Gerald O'Hara, who (after his mind is gone) by sheer power of pantomime dominates the scenes in which he has almost nothing to say or do; 2) colored Cinemactress Hattie McDaniel, who comes from Kansas...
...comic concessions, but there is sly humor in Prissy 's (Butterfly McQueen) singing of Jes' a Few Mo' Days, Ter Tote de Weery Load. There is -sumptuous satire in the sets of the barbaric mansion, the realization of all Scarlett's ideals, in which Rhett and Scar lett enshrine their garish passion. In contrast, sudden lyrical shots lighten the cinemagnificence. Technicolor (using a new process) has never been used with more effective restraint than in Gone With the Wind. Exquisite shot: Gerald O'Hara silhouetted beside Scarlett against the eve ning sky at Tara while...