Word: rewarding
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Dates: during 1960-1969
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...party. The symbiosis works well enough when Labor is out of power and both party and unions need one another. It works less well once the party leaders don their bowler hats, pick up their dispatch cases and move into Whitehall. Then the unions naturally enough expect their reward. But the responsibilities of ruling Britain seldom enable a socialist government to do all it would like for the workingman. The result is an inevitable clash, and it has seldom been more acrimonious than it is today...
...revitalize the stodgy G.O.P. leadership. He helped toss out Charles Hoeven as chairman of the House Republican caucus in 1963 and joined the move to upset Charles Halleck as minority leader in 1965. Both were replaced by Michigan's Gerald Ford. When Ford wanted to give Goodell his reward, Republican veterans gave Goodell his comeuppance. Overriding Ford, they refused to make the ambitious, somewhat abrasive Goodell either the Republican whip or head of the Policy Committee...
When the cops started clubbing three girls in a convertible, Chicago Daily News Reporter John Linstead protested. His reward was a beating and a scalp wound. NBC newsman John Evans was struck by a policeman, had his head bandaged, then began interviewing other bandaged victims. Delos Hall, a CBS cameraman, was filming a cop-hippie clash when he was clubbed from behind. NBC Cameraman James Strickland was photographing Hall's plight when he was hit in the face and toppled. Even while he was on the air, CBS Floor Reporter Dan Rather was flattened by two security...
Part of the funds will go toward prize money of $1000 to reward students for articles which Horstman expects to collate in a conference journal. The conference will also underwrite traveling expenses of about 150 invited delegates. They will be selected on the basis of personal applications and the recommendations of some seventy participating universities, among which will probably be Harvard
There are two basic ways to do pedestrian Shakespeare. One could be described as the old-fashioned heavy classical method the Old Vic employed splendidly in the 1950's; although no surprises reward the attentive eye of an audience, it's Shakespeare and it's all there. The second method is the flagrantly interpretive stylized re-think so many directors feel essential nowadays when taking-on the bard...