Word: reverberative
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...message is, but the lyrics distinctly focus on alcohol, especially in the quatrain “Beer is not dark / Beer is not light / It just tastes good / Especially tonight.” Second single “No Lucifer” begins with a subtle reverb effect birthing a somber violin-guitar duet, which then bursts into a My Bloody Valentine-esque melody, complete with high-pitched, feedback-laden vocals. These are smart, catchy tracks with the potential for universal appeal, if only Americans would turn off their Linkin Park and 50 Cent long enough to notice them. Though...
...Made for Walkin', a No. 1 hit for Sinatra in 1966. Yet a decade earlier, the work of Lee Hazlewood (below) was drawing attention from a young Phil Spector, who was intrigued by the hit sounds Hazlewood created for teenager Duane Eddy, using a grain elevator to create reverb and twang. The anti-Establishment artist, who helped spur country-pop, shunned fame by escaping to Sweden in the '70s. But by the '90s the master of "cowboy psychedelia" had been rediscovered by alternative-rock bands like Primal Scream and Sonic Youth. Of his cult status he said, "Thank...
...1960s, American music producer Phil Spector became famous for a musical style that used multiple overdubs, lavish instrumentation and maximum reverb. Spector wanted to hit listeners with an incredibly dense, almost overwhelming collage of music. He called the effect a "wall of sound." I have no evidence for this, but I suspect the musical genius may have been struck by inspiration after visiting South Asia...
...appears from five floors up a tiny lift at Diva, a karaoke bar in central Osaka that seems little bigger than a shoebox. It's way past midnight following the orchestra's final concert, and the beer is flowing?as is Carbo's voice: "My, my, my, Delilah!" The reverb might be less than crystal-clear tonight, but that doesn't stop the high emotion from bouncing back. Yet even though the room is filled with musicians and an opera star, two gatecrashers steal the show. A platinum-haired English teacher and her friend from Melbourne, arms akimbo, launch into...
...issue taut rejoinders to lazy keyboard echoes, delicate synth arpeggios, and efficient percussion—complete with judicious handclaps, especially on “First Time” (alas, sans cowbell).Despite the album’s electro-sheen and programmatic counterpoint, singer Jeremy Greenspan’s high, reverb-enhanced vocals imbue the tracks with a necessary human element.Indeed, Greenspan’s voice staves off the otherwise-inevitable feeling that these tracks might, in fact, make rather excellent lounge instrumentals.And while these ten tracks do tend to emphasize a removed compositional sensibility, outliers such as the jaunty, Eurythmics...