Word: revealed
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Dates: during 2000-2009
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...have it so easy. Instead, he simply points at the cup on the right. Henry looks at Hare's hand and follows the pointed finger. Kivell then releases the leash, and Henry walks over to the cup that Hare is pointing to. Hare lifts it to reveal the biscuit reward. (See TIME's photo-essay "Puppies Behind Bars...
...With that, a chapter in Kennedy’s life was over, and his football career was tucked away in his legacy as little more than a footnote, useful for an amusing anecdote or two. But Kennedy’s days with the Crimson reveal much about the figure America would come to know so well in the following decades, and with every election he won, every speech he delivered, every piece of legislation he passed, Kennedy continued to contribute to Harvard football’s sense of its own history and identity...
...their androgynous vocals and skillful arrangements into a jammy, electronica–meets–rock framework that resembles, without imitating, the more relaxed aesthetic that Radiohead employed with “In Rainbows.” The restraint demonstrated in these songs make them the only ones which reveal musical and vocal subtleties on repeated listens.“Before Tigers” is followed by the decidedly unsubtle “Severin” and “Eat Flesh,” which are the closest “Get Color” comes...
...bumbles through his double life. His stream-of-consciousness voiceovers begin as the most amusing moments of the film. Even while holding conversations with his colleagues at ADM and the FBI, Whitacre contemplates tie patterns, butterfly adaptations, and the hunting techniques of polar bears. His nonsensical musings quickly reveal his atypical understanding of everyday interactions. During his first one-on-one meeting with his FBI handler, we hear him contemplate a potential friendship with the agent: “I could see us fishing, or whatever.”With a keen attention to detail, Soderbergh sets a fittingly rich...
...down Highway 78 into Ocotillo.” He characterizes his quest as one to understand Imperial as a place divorced from his own personal memories. Somehow this absurd explanation for the origins of “Imperial” seems absolutely credible coming from Vollmann, whose previous works reveal, if nothing else, a man easily obsessed. A sentimentality colors the prose of Vollmann’s work at large in a way that would make calling “Imperial” purely non-fiction reductive. Even his decision to leave out quotations in favor of fluid movement from...