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...West. Edited by Paul A. Rossi and David C. Hunt. 335 pages. Knopf. $25. Outstandingly handsome and informative frontier trip, even for those who cannot tell a Remington from a Winchester...

Author: /time Magazine | Title: Books: Deck the Shelves: For $275 and Under | 12/20/1971 | See Source »

...police soon found the weapon, a new .243-cal. Remington semi-automatic rifle, in an air shaft at Hunter College, a block from the mission, and traced it to an 18-year-old Brooklyn youth known to be "an activist" in the fanatically anti-Soviet J.D.L...

Author: /time Magazine | Title: The World: Two Votes That Could Change the World | 11/1/1971 | See Source »

Aggressive Ideal. Learson, whose present yacht is named Nepenthe (says he: "She's the Greek goddess who induces a pleasurable sensation of forgetful-ness"), went to work as a salesman for IBM immediately after graduating from Harvard in 1935. Offered a higher-paying job by competitor Remington Rand, Learson nonetheless chose IBM because its machines were electrical rather than mechanical. He rose to general sales manager at a crucial time. Learson still admits that parts of computer technology are "over my head," but in the early 1950s he and Tom Jr. strenuously argued, against the elder Watson...

Author: /time Magazine | Title: EXECUTIVES: Learson at IBM's Helm | 7/12/1971 | See Source »

...giant was assigned to an unathletic and sketchily educated young writer named Lester Dent. Trained as a telegrapher, Dent was innocent of grammar ("of no value to we") and guilty of heinous cliches ("The warriors were certainly a chagrined lot"), but he could put out the prose at a Remington-wrecking rate. Under the pen name Kenneth Robeson, he knocked off a 60,000-word Doc Savage novel almost every month for nearly 15 years. As stories, most of them are bloody good. He is a funhouse mirror of the America that loved him and apparently still does...

Author: /time Magazine | Title: Books: Back to the Gore of Yore | 7/5/1971 | See Source »

...title role, shuttling incessantly from the red to the white side, Dustin Hoffman adopts precisely the right attitude of bewildered reality lost in myth, a photograph projected on a Frederic Remington painting. Unhappily, not all the cast is as comfortable in their roles. Some of the whites, such as Faye Dunaway as a preacher's oestrous wife, and Martin Balsam as a bunco artist, play like fugitives from a road company of The Drunkard, with galvanic gestures and frozen speech patterns. The Human Beings, by contrast, are a people of dignity and variety. Among them are the homosexual Little...

Author: /time Magazine | Title: Cinema: The Red and the White | 12/21/1970 | See Source »

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