Word: reiner
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Dates: during 1990-1999
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...April, ABC-TV will air a prime-time special on brain development, directed by Rob Reiner and featuring such A-list stars as Tom Hanks and Robin Williams. It's the opening shot of an elaborate multimedia blitz that is coordinated by Families and Work Institute, based in New York City, and includes public-service announcements, magazine specials, home videos, online sites and CD-ROMS. "I couldn't create a big, federally funded program," says Reiner. "But I certainly can put on a show to raise awareness about how the first three years critically impact the way a child later...
...Reiner's Ghosts of Mississippi, written by Lewis Colick, purrs along like a TV movie with a grander budget. And like those fact-based disease-of-the-week dramas (the virus here is racism), this one is defeated by its lack of suspense. The case's outcome isn't the only thing that's predictable; so are the prejudices and motives of nearly every character...
Abortion controversy? We got it: Citizen Ruth stars Laura Dern as a pro-choice icon who changes her mind. The I.R.A.? No problem: Some Mother's Son has flinty Helen Mirren playing the mother of a Belfast hunger striker. And American racism? Take your pick. Rob Reiner's Ghosts of Mississippi re-enacts the trial of Byron De La Beckwith, the murderer of Medgar Evers; John Singleton's Rosewood is about the attempt to dislodge an affluent black community...
...movie Stairmaster and getting someplace. The queue is long and homogeneous. Nearly everyone is female; these are the ladies who lunch taking a movie aperitif. Inside, the audience laughs along with the gags about women's fear of aging ("If I give you one more face-lift," Dr. Rob Reiner warns Hawn, "you're gonna be able to blink your lips") that make the movie a more genteel version of the misogynistic She-Devil and Death Becomes Her. And the audience applauds when Midler, Hawn and Diane Keaton take comic revenge on their duplicitous mates. In movie theaters around...
...Bening) on a collision course with President Andrew Shepherd (Michael Douglas) before they become friends, lovers and the stuff of tabloid scandal. But the line is also a clue to the politics of this witty romantic comedy, written by Aaron Sorkin (A Few Good Men) and directed by Rob Reiner (When Harry Met Sally...). It's a liberal fantasy--a vision of the President as a good man who can coax the national consensus just slightly leftward--that is as anachronistic as it is seductive...