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VERDI: FALSTAFF (3 LPs; Columbia). Verdi's last opera, an ebullient celebration of love and life, was written when he was 79, and Leonard Bernstein has captured all of its beauty and range. The entire cast exploits the comic possibilities in the music, but Regina Resnik as Dame Quickly and Graziella Sciutti as Nanetta stand out-along with the redoubtable Dietrich Fischer-Dieskau, who, as Falstaff, makes his voice convey everything from arrogance to cravenness to humiliation. At times the mirth seems about to explode in all directions, but Bernstein's firm hand directing the Vienna Philharmonic gathers...

Author: /time Magazine | Title: Television: Jan. 13, 1967 | 1/13/1967 | See Source »

...Other Amateur Hour alumni and their years are Merril Miller, '36 (now the Metropolitan Opera's Robert Merrill), and a member of the Hoboken Four, Frank Sinatra, '35. Other graduates include Teresa Brewer, Pat Boone, Georgia Gibbs, Frank Fontaine, Bert Parks and the Met's Regina Resnik...

Author: /time Magazine | Title: Television: For Whom the Gong Tolls | 8/5/1966 | See Source »

...European intellectual history in his most popular course, shifts spontaneously to suit the mood of his audience ("It's almost a cabaret thing") as he explores Locke, Rousseau, Kant, Mill, Marx and Freud. "He inspires an awful lot of hero worship from extremely bright people," says sandaled Coed Regina Janes...

Author: /time Magazine | Title: Teaching: To Profess with a Passion | 5/6/1966 | See Source »

...JARVIS Regina, Sask...

Author: /time Magazine | Title: Letters: Dec. 3, 1965 | 12/3/1965 | See Source »

...With a small voice issuing from a still smaller chest and her hair cropped as short as a boy's, she managed to convey a blossoming femininity, the seedling woman of passion and perception. She was a sentimental strumpet in I Am a Camera, a queen in Victoria Regina, a madwoman as Hamlet's Ophelia. Her secret is not true versatility-there is never any question that behind the makeup it is Julie Harris. Audiences flock to her performances precisely because she can mimic no one but herself; she simply takes on each challenging role and wraps...

Author: /time Magazine | Title: Theater: In Lights It Spells Harris | 12/3/1965 | See Source »

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