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...magic number of yearly economic growth. "Our economy," says Walter Reuther, "should be expanding, at the very least, at a rate of 5% a year." Average yearly rate since the 1870s: 3%. In their swelling stack of pamphlets, proponents of 5%-a-year growth do not argue the realism of their goal in hard economic terms. As authority for it, they point out that last spring a Rockefeller Brothers Fund panel, sprinkled with big businessmen, urged a 5% growth rate...

Author: /time Magazine | Title: National Affairs: BATTLE BEHIND THE BUDGET BATTLE | 3/16/1959 | See Source »

...introduction to the catalogue, Historian Charles Coleman Sellers notes that Peale's paintings "are of our own time more truly than of his. They have a peculiarly modern appeal in their very personal motivation and in their use of realism as an escape from reality. That other painters regarded [still life] as fit only for school work or amateurs may have encouraged him to take it as his own, to develop it with his wonderful virtuosity and to find in it a little province of personal supremacy, of surprises and satisfactions, of no money value but of solace...

Author: /time Magazine | Title: Art: Wizard Lush | 3/9/1959 | See Source »

Comrade Venka, written during the temporary thaw after Stalin's death, was a big bestseller in Russia. Its plea for ordinary human decency is commonplace, but its point that party realism results in cruelty is so carefully spelled out that no Russian reader could have missed it. Unlike Boris Pasternak, his neighbor in the Moscow suburb of Peredelkino, Novelist Nilin attempted no sweeping indictment of Communist inhumanity. Still, his little, almost boyish novel may be read as a sign that many Russians have their doubts about the Communist world...

Author: /time Magazine | Title: Books: Tom Swift in Siberia | 3/9/1959 | See Source »

PRIX MEDICIS. The head of this prize committee was Novelist Alain (The Voyeur) Robbe-Grillet, and the winner was one of Robbe-Grillet's disciples in the school of "New Realism" (TIME, Oct. 13), which stresses objects and description rather than people and motivation. Winner Claude Ollier's La Mise En Scéne offered "interminable descriptions that spare you nothing and then, without ever seeming to take sides, crush you under the weight of inhuman detail." A mining engineer's efforts to make sense out of the remote mountains of North Africa, to lint his murdered...

Author: /time Magazine | Title: Books: Sex & Salvation | 3/9/1959 | See Source »

...seems a sensible idea, and it might have been the theme of a sensible attempt at row-house realism, but Scriptwriter Joseph Stefano has loaded this piece of pizza with a mess of indigestible sentimentality, and Director Martin Ritt has turned it out half-baked. In the last half of the story, even Actor Quinn, usually a rock-solid performer, comes apart like a discouraged anchovy...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 2, 1959 | 3/2/1959 | See Source »

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