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Word: realism (lookup in dictionary) (lookup stats)
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...there are 15 (out of 90-odd authenticated in the world). In the Dutchman's first exhibition anywhere, all those from U.S. collections are on view at Ohio's Dayton Art Institute and are scheduled to move to the Baltimore Museum of Art. Their baroque realism, their tickling highlights, merry laughter and moralizing mien have established Terbrugghen as a forerunner of Vermeer, La Tour and Rembrandt...

Author: /time Magazine | Title: Painting: Merry Mimes | 11/26/1965 | See Source »

...three hours of it, clearly reflects the post-Khrushchevian inclination of Brezhnev and Kosygin to make Soviet history more objective and less like a Communist morality play. If anything, Salvo is likely to accelerate that trend. At least it provoked Red Star, the army newspaper, to demand still greater realism in depicting Soviet historical figures. Salvo, complained the paper, portrayed Trotsky as "a midget, whose actions were downright silly. Yet how could such a midget mislead the people?" Obviously, declared Red Star's own hatchetman, "he was an experienced and powerful demagogue"-and should be shown as such...

Author: /time Magazine | Title: Russia: Saturday Night at the Movies | 11/12/1965 | See Source »

...sloppy bachelor apartment. He shops with the masses in a supermarket, and he worries about the raise he's expecting. In this realistic setting, author Len Deighton places his fantastic jewel of a plot, and then polishes it with humor, blood, sex, and a little more bureaucratic realism...

Author: By Gregory P. Pressman, | Title: The Ipcress File | 11/3/1965 | See Source »

...portrait (see color) is Copley at his finest hour. Commingled with the puritanical solidity of American realism are the extravagant fancies of Britain's "Grand Manner"-sharply outlined bulks interrupted by thin, evanescent cuffs, ruffles and fluttery papers. The painting underlines the irony of Copley's dilemma. As is documented by a current show * on the 150th anniversary of the artist's death, he was the first great American painter, but his very quest for art destroyed that vision...

Author: /time Magazine | Title: Painting: The Man Who Left Home | 10/29/1965 | See Source »

Forced to learn from local journeymen artists, Copley unwittingly developed a native vision. His metallic colors, hard lines and precise realism produced steely likenesses of such colonial worthies as Paul Revere, Samuel Adams, John Hancock. Learning by trial and error, he made his clients sit for as many as 900 hours while he perfected their portraits. Rates were strictly by size: "Whole lengths 40 guineas, half lengths 20, ¼ pieces or busts...

Author: /time Magazine | Title: Painting: The Man Who Left Home | 10/29/1965 | See Source »

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