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...performed for both Ailey and Merce Cunningham, whose choreographic visions were diametrically opposite. Despite his admitted debt to Ailey, for whom he also composed dances, Dove has no interest in centering his own work on black motifs. In fact, sex rather than race dominates most of the 17 pieces, raw but energetic, that he has created since he stopped dancing in 1980. "If you want to be political, the place to do that is politics," he says. "If I want to give you a message, I can write it down. I have a deep concern for the condition of black...

Author: /time Magazine | Title: The Beauty of Black Art | 10/10/1994 | See Source »

...find it a bit shameful and debasing to write about O.J. Simpson. I get the feeling that I have jumped on the band-wagon-payroll of a sleazy market tabloid, and that I have a duty to throw raw meat to lions...

Author: By Patrick S. Chung, | Title: Jumping on O.J.'s Bandwagon | 10/7/1994 | See Source »

...young men who serve in the Army's 10th Mountain Division, the brutality offered a firsthand glimpse of the raw intimidation that passes for civic order in this country. "We were taught to defend these people," said Private First Class Doug Johler. "Now, to see what's going on and not be able to do anything, it tears you up inside...

Author: /time Magazine | Title: Haiti: Taking Charge on the Ground | 10/3/1994 | See Source »

...world in which raw power is still held in the highest respect may be forgiven if it is unimpressed with a leader so patently averse to using it. In Clinton's world, intellectual effort is too often directed at blaming others. The President portrays himself variously as the victim of a public that fears change, a cynical post-Watergate nation or the fractionated, post-cold war world. What happens now that U.S. marines have drawn Haitian blood? If the Haiti policy doesn't go well, the Administration will revert to the story it had already begun retailing on "deep background...

Author: /time Magazine | Title: The Carter Connection | 10/3/1994 | See Source »

...that's not even half the story. Levin employs a technique more powerful than his raw virtuosity in teaching packed houses in Paine Hall--Eros. Levin unabashedly uncovers the erotic content of the music being studied. His lectures are peppered with overt references to sex and seduction, affairs and adultery...

Author: NO WRITER ATTRIBUTED | Title: LEVIN'S MAGIC FLUTE | 10/1/1994 | See Source »

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