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...ones that do, like Pittsburgh, Pa., are reluctant to make the raw data public. "Get in the habit of reporting that, and you can create controversy," says Robert McNeilly Jr., the city's police chief. He says random quarter-to-quarter fluctuations in the data would produce misleading headlines, like RACIAL PROFILING ON THE RISE IN PITTSBURGH. McNeilly says a federal auditor has consistently found that the city's police stop minorities in "pretty close" proportion to their all-around presence in the population...

Author: /time Magazine | Title: What's Race Got To Do With It? | 7/30/2001 | See Source »

Katharine Graham told the story of her life so well and with such raw candor in her 1997 autobiography, the Pulitzer-prizewinning Personal History, that retelling it here seems redundant. It was the tale of a fretful rich girl who married the dazzlingly brilliant Philip Graham. It was her father who owned the Washington Post, but her husband was given majority control of the paper on the theory that no man should ever work for his wife. When she found the manic-depressive Graham dead of a gunshot wound in the bathroom of their country house in 1963, this "doormat...

Author: /time Magazine | Title: A Woman Of Substance: KATHARINE GRAHAM (1917-2001) | 7/30/2001 | See Source »

...since Art Spiegelman's "Raw," during the 1980s, has New York City played any significant role in alternative comix. Perhaps because it's home to the mainstream industry (Marvel and DC are both located there) most of alternative comix' history has been born elsewhere. So it's nice to see a couple of new comix with ties to the Big Apple...

Author: /time Magazine | Title: New York, New York | 7/27/2001 | See Source »

...Neither Alex Robinson's "Box Office Poison," nor Dean Haspiel's "Opposable Thumbs" are the ground-breaking comix work of "Raw." But they nicely represent two kinds of New York experience: urban opportunity and urban decay...

Author: /time Magazine | Title: New York, New York | 7/27/2001 | See Source »

Katharine Graham told the story of her life so well and with such raw candor in her 1997 autobiography, the Pulitzer-prizewinning "Personal History," that retelling it here seems redundant. It was the tale of a fretful rich girl who married the dazzlingly brilliant Philip Graham. It was her father who owned the Washington Post, but her husband was given majority control of the paper on the theory that no man should ever work for his wife. When she found the manic-depressive Graham dead of a gunshot wound in the bathroom of their country house in 1963, this "doormat...

Author: /time Magazine | Title: A Woman of Substance | 7/23/2001 | See Source »

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