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...prize in his pocket and a series of European concerts lined up, the winner was in no great hurry to flash the Dempsey punch on U.S. keyboards. Said Leon Fleisher, who has been playing quietly in Europe for two years: "Music in America is becoming a rat race. What all the towns . . . want these days on one program is a team of four pianos, a fiddler, a ballet dancer, and a juggler...

Author: /time Magazine | Title: Music: Concourse in Brussels | 6/9/1952 | See Source »

About Face (Warner) adds lustrous Technicolor and several lackluster songs & dances to the old stage (1936) and screen (1938) farce, Brother Rat. There are some strictly unmilitary goings-on at Southern Military Institute. Against Institute regulations, Cadet Eddie Bracken is secretly married to Phyllis Kirk, who is about to become a mother; Cadet Dick Wesson does not know that Betty Short (Virginia Gibson) is really Betty Long, daughter of the new commandant; Cadet Gordon MacRae sings such songs as Spring Has Sprung, and spikes an unpleasant chemistry instructor's hair tonic with green and blue dyes...

Author: /time Magazine | Title: Cinema: The New Pictures, Jun. 2, 1952 | 6/2/1952 | See Source »

This building also shelters 400 chickens a number of roosters, and a peculiar rodent known as the cotton rat which is indigenous to the Southwest United States and can jump over...

Author: By Mark L. Goodman, | Title: Monkeys Is De Kwaziest Peoples | 5/9/1952 | See Source »

...answers to these and other exciting questions, see Deadline, U.S.A. See a mug get crushed between the rollers of a big city press. See Rienzi, the rat, suck the city's blood, unchecked and unnoticed save by one two-fisted managing editor...

Author: NO WRITER ATTRIBUTED | Title: Deadline, U.S.A. | 4/25/1952 | See Source »

...tempo coinciding with movement and speech. The Partch orchestra produced cacophonous sounds sometimes reminiscent of a Hollywood sound track for a Chinese street scene, sometimes like a symphony orchestra tuning up, occasionally like a Hawaiian string trio, and once during the argument between the seer and Oedipus, the rat-a-tat-tat of one of the percussions over a loudspeaker sounded like mice in the attic. The best thing about Partch's music was that it seldom got in the way of the actors, who half-spoke, half-sang the lines. After four curtain calls for the actors, Composer...

Author: /time Magazine | Title: Music: Goblin Music? | 3/24/1952 | See Source »

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