Word: rats
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...Crawdaddy. He tells us how Marianne Faithfull, actress, singer, and onetime "good friend" of Mick Jagger, originally wouldn't sleep with either Jagger or Richards because of their zits: "She didn't think she could ever bring herself to kiss a man with zits." Sanchez reveals how the "water rats" line in "Live With Me" stems from an actual rat-shoot out at Keith's estate, and how the previously indecipherable "Get Yer Ya-Ya's Out" is actually a homophone for a recurrent voodoo phrase. On the subject of black magic, there's a great quote from Richards gleaned...
...using laconic, coarse, gritty, abandoned things to suggest a tragic sense of history. A case in point is his dreadful reliquary of Auschwitz, from the Stroher collection in Darmstadt: its few objects in a glass case-blocks of fat on a battered electric hot plate, moldering sausages, a mummified rat on a straw bed, a diagram of the camp, a drawing of a child-are perhaps the most poignant, and certainly the least exploitative, image in modern art of that catastrophe...
...confused about how to interpret the play. Kirsten Giroux's Goneril is a shallow, cold bitch-queen; Janet Rodger's Regan a bit more of a bitchy housewife. Henry Woronicz's Edmund swaggers like a comic hero, an illegitimate Petruchio. Harold Levine's Cornwall is a snivelling rat of a villain, more disgusting than threatening...
Life in the Cambridge rat race, as one might assume, doesn't bolster many people's self-confidence. Harvard is a place populated by very ambitious people," says Walters. 'You have to be ambitious to get here and to stay here--and keep your self-respect." It's not that Harvard induces depression, but rather that depression is a reaction to disappointments and college students have an inordinate amount of opportunities to be disappointed. "It's not a simple reaction to an 'F' in a course," Walters insists. "When students come to us, they're concerned not only about their...
...Lugosi, who gave a lugubrious performance in Tod Browning's 1931 Dracula, which was utterly ruined by its failure to abandon the Deane-Balderston play. F.W. Murnau's German silent Nosferatuwas a good deal better, and even today provides one or two chilling moments, but Max Schreck's strutting rat did not have a whole lot of dramatic stature...