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Free Everyone. Unlike judges, juries tend to feel that a cured harm is no harm, as when a defendant returns stolen money; they resist penalizing a defendant who corrupts the already corrupted, as in the statutory rape of an unchaste girl. In repeated cases of indecent exposure, a jury tends to convict if the victim is a child, to acquit if the victim is an adult woman...

Author: /time Magazine | Title: Juries: Community Conscience | 8/12/1966 | See Source »

...Miami last week, seven men charged with rape were released with out trial; in Los Angeles, a confessed murderer under sentence of death went free. In Cincinnati, a silent robbery suspect was let go - and promptly committed another crime...

Author: /time Magazine | Title: Criminal Justice: Learning to Live with Miranda | 8/5/1966 | See Source »

Defiant Delinquents. Like the West, the East is having its problems with irrepressible youth. Last May ten young Hungarians, aged 17 to 20, were tried for almost everything in the book-rape, gambling, smuggling, drug pushing, currency violations, idolizing the West, anti-Semitism and hatred of visiting African students. The accused were all part of a 200-member gang that haunted downtown Budapest and augustly called itself the "Inner City...

Author: /time Magazine | Title: Foreign Law: Crime & Communism | 8/5/1966 | See Source »

Certainly Eduardo Chillida restrains the knotty nature of his wooden sculpture (see over page), and Antonio Saura's Brigitte Bardot is unsentimental. Says Saura, 36: "When I throw a blob of paint on my canvas, I am committing a rape. When I work I become a kind of monster." There is violence, a seething impasto in whorls of dark color, the suggestion of hot, bubbling blood. Like the peeling, crumbling walls of the Cuenca museum itself, Spain's informalists, such as Luis Feito, present a modern vision of ancient agonies bred in the scorching sun. They convey...

Author: /time Magazine | Title: Museums: A New View on the Cliff | 7/29/1966 | See Source »

...discipline, Poussin was in no sense a stony prude or a bloodless geometrist. He reveled in depicting bacchanalia where swarthy satyrs lurched after alabaster-skinned nymphs, and chubby putti chugged wine as if it were rosy Pablum -all composed as carefully as a ballet. In his Rape of the Sabine Women (see opposite page), swords and outflung arms set up triangles that play a counterpoint against the squarish architecture. Nothing is left to chance, not even the suggestive but studied pas de deux of the Sabine maidens and their Roman abductors...

Author: /time Magazine | Title: Painting: Luminous Logician | 7/22/1966 | See Source »

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