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Self-deported from the U.S. in order to beat a federal perjury rap, New Jersey Mobster Joe Adonis was greeted as a local boy who made good by admiring townfolk of Montemarano in southern Italy. In honor of "Don Giuseppe, the miliondrio Americano," a great big hero's welcome blared from the steps of the town hall, where the town fathers, a brass band and Montemarano's two carabinièri, got up in three-cornered hats and fulldress swallowtails, assembled for the banner day. Deeply touched, Milionário Adonis later reportedly choked out wet-eyed promises...

Author: /time Magazine | Title: People, Feb. 6, 1956 | 2/6/1956 | See Source »

...commercial band. But Schwiefka (Robert Strauss) is not letting go, and neither is Frankie's wife (Eleanor Parker), a demented leech who is systematically eating his heart out. While the wife bleeds him white, Schwiefka sets up a frame. Frankie finds himself in jail on a bum rap. In return for one night in the dealer's slot, Schwiefka bails him out. Frightened and discouraged, Frankie is an easy mark for the needle of Louie, the dope peddler (Darren McGavin), who suggests that just one little fix is all he needs to get him round the bend...

Author: /time Magazine | Title: Cinema: The New Pictures, Dec. 26, 1955 | 12/26/1955 | See Source »

...provides a weirdly solemn Declaration of Independence. (By this time, in Hollywood plays, integrity should be seen and not heard.) And in all the final putting things to rights, there is no trace of irony. If Hollywood filmed Faust, Faust might be expected to beat the rap. If he beats the rap in a play at Hollywood's expense, surely the tongue should make the cheek at least faintly protrude...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Oct. 24, 1955 | 10/24/1955 | See Source »

...self-made magnate who demonstrates in his person, as Fred Allen once remarked, "the horrors, of unskilled labor." Producer lays it on the line: sign the contract or go to jail (for the hit-and-run killing of a girl, committed while the star was driving drunk-a rap that was taken for him by a studio flunkey). Star signs...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 24, 1955 | 10/24/1955 | See Source »

...Graphic for the Daily Mirror, and Louis Sobol replaced him as Broadway columnist. When Sobol joined the Journal-American, Sports Editor Sullivan inherited the Broadway assignment. "I didn't want the job, but it was either take it or be fired. I took it, but determined never to rap anyone the way Winchell does. I don't think I have the right to pass final judgment on other people's behavior...

Author: /time Magazine | Title: Radio: Big As All Outdoors | 10/17/1955 | See Source »

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