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Into the shelters crowded Jews, Gentiles, pickpockets, lovers. Crime was non-existent in London last week, the lawless taking shelter with their victims. Burglar alarms, set off by concussion, rang aimlessly for hours. Love was almost as difficult, since there was no privacy in shelters and little time during the day. Snobbery survived. Better-dressed people in some apartment houses refused to enter shelters with the proletariat, insisted on sitting on back stairways...

Author: /time Magazine | Title: Foreign News: People's Week | 9/23/1940 | See Source »

...Academy's scouts had scoured Portugal's mountain villages. In some they had been treated like a looting army. Angry villagers, seeing their shrines dismantled, rang their church bells. In the town of Vizeu a crowd of buzzing parishioners surrounded a truckload of paintings, for two days refused to budge. To get a strong-faced portrait of St. Peter out of São João, the Minister of Education had to go in person, beg its release in the name of the Government...

Author: /time Magazine | Title: Art: Portuguese Primitives | 9/2/1940 | See Source »

Before Hitler's aerial Blitzkrieg became a reality, the English theatre was in the dumps. Last week, as Nazi bombers swarmed over London, theatrical tills rang loudly again. Going strong were revivals like the Devil's Disciple with Robert Donat, Dear Octopus with aging Marie Tempest. Viewed tepidly by critics, cheered loudly by audiences was Clare Boothe's anti-Nazi comedy Margin for Error, which opened a fortnight ago. Most popular of the musicals was Shepherd's Pie, which after ten months was still turning customers away. Included in the show is a pageant involving Elizabeth...

Author: /time Magazine | Title: The Theatre: Better Business | 8/26/1940 | See Source »

...California's Mills College last week, summer-school students filed on to a stage before a Picasso-like background of musical scales, picked up an assortment of bells, whistles and drums, and let go with everything they had. With ordered gusto they banged, rattled, beat, blew, stomped and rang their way through Henry Cowell's Pulse, John Cage's Second Construction, William Russell's Chicago Sketches, Lou Harrison's Canticle, Amadeo Roldan's Ritmicas V and VI. When they had finished, the audience gave percussive approval. Wrote Musicritic Alfred Frankenstein in San Francisco...

Author: /time Magazine | Title: Music: Fingersnaps & Footstomps | 7/29/1940 | See Source »

...Armstrong's show. Putting on the famed hammering act that once won three world's titles (featherweight, lightweight, welterweight) within eleven months, he plopped Jenkins to the floor once in the fourth round, twice in the fifth, three times in the sixth. Just before the bell rang for the beginning of the seventh round, the "best lightweight since Benny Leonard" collapsed, toppled off his stool...

Author: /time Magazine | Title: Sport: Armstrong v. Jenkins | 7/29/1940 | See Source »

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