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...lady approaches him on the street and exhorts him: "GET OUT OF WASHINGTON! It's no place for a young man!" He watches a bunch of blacks mug a white man and woman in a seemingly random, senseless fashion. His more sober-minded comrades, living for "the Revolution," mechanize LNS and then viciously torture his friends to recover the equipment Mungo's friends have stolen in their big caper. He discovers that the Movement's members can be more than just disagreeable. Writing of his meeting with Eldridge Cleaver in his pre-Algerian days, he says: "He [Cleaver] told...

Author: By Mark H. Odonoghue, | Title: From the Farm Good Riddance To the Sixties | 10/9/1970 | See Source »

...hero of James Agee's Death in the Family ends it in a car. Bonnie and Clyde are massacred in one. Post-war writer John Cheever has increasingly employed random automobile deaths-both in his last collection of short stories (The Brigadier and the Golf Window) and his most recent novel (Bullet Park). And what, for that matter, is Ralph Nader's real message...

Author: By Frank Rich, | Title: The Apocalypse Waiting for That Car Crash In the Sky | 10/8/1970 | See Source »

...attitude (or gradual disenchantment) toward directors, ending with a disparaging comment about Mervyn Le Roy. I am sure Kaufman did not intend to be unkind or unfair, but it is hard to accept such disparagement of a man whose credits include I Am a Fugitive From a Chain Gang, Random Harvest, Waterloo Bridge and the production of Wizard of Oz-and whose finest credit is that he is one of the gentlest, most civilized human beings around...

Author: /time Magazine | Title: Letters: Sep. 28, 1970 | 9/28/1970 | See Source »

...very fine (and happily played very loud) is precisely the intense visual experience one gets from concerts. Two facts: the best seats at concerts are not the ones besieged by the best sound-they're the ones which afford the freest view, permitting the eye to wander at random; and great groups have great visual styles. This is all obvious, but it dictates how one makes rock and roll movies. In particular it points to a desperate need for establishing the whole group in long shot. Beyond that, the cutting must always keep in mind the relation of any given...

Author: By Joel Haycock, | Title: 'Woodstock' on Film No Love for Rock | 9/24/1970 | See Source »

...FATHER'S HOUSE by Philip B. Kunhardt Jr. 239 pages. Random House...

Author: /time Magazine | Title: Books: Father by Son | 8/10/1970 | See Source »

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