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French Composer Jean-Philippe Rameau (1683-1764) is represented on France's Pathe label in a farcical work titled Platee (mono). The plot deals with the wooing of Jupiter by a spinsterish water nymph. The quicksilvery score, with its pastoral interludes and lavish descriptive effects, is a delight, and the performance is first rate...

Author: /time Magazine | Title: Music: Classical Records | 8/3/1959 | See Source »

Bell Telephone Hour (NBC, 8-9 p.m.). Mr. and Mrs. José Ferrer (Rosemary Clooney) and Gisele MacKenzie sing pop tunes, opera's Georgio Tozzi and Nicolai Gedda sing a duet from The Bartered Bride, Jose Iturbi plays Chopin, Liszt and Rameau on piano and harpsichord, Maria Tallchief and André Eglevsky dance a classical pas de deux. Color...

Author: /time Magazine | Title: Time Listings: CINEMA | 4/13/1959 | See Source »

...jealously guarded possession, and judgments of any new Bach performer are sharply critical, especially if the performer is a foreigner. But last week a Munich audience applauded a harpsichord recital played by a middle-aged American housewife. As Virginia Pleasants performed Bach's French Overture and a Rameau suite, cognoscenti listened attentively, demanded seven curtain calls...

Author: /time Magazine | Title: Music: Hausfrau at the Harpsichord | 2/23/1959 | See Source »

Also on the program were a Telemann Sonata, a Rameau suite, and a spate of smaller pieces--mostly Renaissance chansons. In some of the latter, each verse was played with a different combination of instruments--an authentic Renaissance practice, since instrumentations were not specified by the composers. And in one piece, "improvised" ornamentation was applied from a 16th-century instruction book. This scholarly approach extended even to the printed program, which contained a complete list of manuscript and printed sources such as would warm the heart of the most demanding Ph. D. dissertation grader...

Author: By C T., | Title: Carter Quartet Highlights Concert | 7/24/1958 | See Source »

Despite Hegel, on Sunday afternoon at Adams House the individual groups were better than the combination. The Radcliffe Freshmen, under Alan Miller, sang with a straightforward style that lacked the slightest affectation. They were at their best in a charming Hymn to Poseidon by Rameau, and Madrigals by Arcadelt, Banchieri, and Morley. A tendency for the first sopranos to get out of tune redeemed itself with sparkling performances of Two Hungarian Songs by Bartok and A Song of Music by Hindemith...

Author: By Stephen Addiss, | Title: Adams House Concert | 3/27/1957 | See Source »

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