Word: radioed
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There's also a downloadable song of the month donated by a Christian artist, in response to the focus groups' revelation that "music was one of the highest ways to communicate with" young people, says vocation director Sister Julie Ann Sheahan. Thus the order's radio and TV ads feature a theme song based on a Franciscan hymn. The tune is also available on the website as a ringtone. Its title: Called...
...election night, Karl Rove sounded jovial, assuring Sean Hannity's radio audience that Republicans would defy the polls and hang on to both the House and Senate. Less than three hours later, President George W. Bush was watching returns on TV in his private study with the First Lady and a few friends and aides. He leaned over as a blue riptide swamped Republican after Republican. "Looks like a rout!" he said...
...that Criterion focuses mostly on great films that they produce in impeccable transfers or that they have helped to reassemble or restore a host of films by great directors. It's that they surround these films with fascinating extras. It's not unusual for a Criterion set to include radio broadcast versions of the film, interviews filmed especially for the disc, alternate versions, lucid and useful commentary tracks, sometimes more than one, and a printed edition of any published work that a film was based on. (Check out the volume of Raymond Carver stories packaged with Robert Altman's Short...
...across the Atlantic to do, is a pleasure no sane person refuses. And Criterion's package is particularly rich with extras. In addition to footage from the 1941 Academy Award ceremony, where Rebecca picked up Oscars for Best Picture and Cinematography, the disc's extras include three one-hour radio adaptations, among them one by Orson Welles, and footage of the screen tests for Joan Fontaine, who won the starring role of the second Mrs. de Winter, opposite Laurence Olivier, as well as for also-rans Anne Baxter, Margaret Sullavan, Loretta Young and Olivier's then-wife Vivien Leigh...
...last word in insanely thorough reconstruction of a much fractured product. Welles' 1955 film, about a shadowy billionaire who hires an American smuggler to look into his past, exists in multiple versions, all of which are collected here, along with a new "comprehensive" version, three radio plays, outtakes and alternate scenes, and the novel "by" Welles, more or less, that the film is more or less based on. Welles' admirers are sure that a man of his genius must have made more great films than he did. They're always combing through his threadbare later output for one more masterpiece...