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...Jose Quintero, who is rightly regarded as the foremost recreator of O'Neill since the War, has directed this production. It is clear that Quintero has a valid conception, but there is more in the work than he has made apparent. Though the play is long, he has retained all twelve scenes of the text and then made internal cuts-somewhat excessively...

Author: By Caldwell Titcomb, | Title: Marco Millions | 2/21/1964 | See Source »

...portrayal of the aged Chinese sage Chu-Yin. One senses an inexhaustible profundity beneath his face and eyes. His bearing; his gestures, his gait all strike unfailingly true. He is even careful to read the letter from Kukachin properly from right to left and top to bottom. If Quintero would allow him to forsake the occasional cracking falsettos in his diction, he would be perfect. Still, such subtle and rounded playing is rare on any stage. This man is every inch...

Author: By Caldwell Titcomb, | Title: Marco Millions | 2/21/1964 | See Source »

...famed Pianist Claudio Arrau and two of his most promising students, Mario Miranda and Alfonso Montecino. As the month goes on, Chile's writers will meet their U.S. con temporaries for panel discussions of the Chilean novel, featuring Sometime Critic Arthur Schlesinger, and theater, featuring Director Jose Quintero. Washington will be invited to a folklore program of song and dance; and Washington's Howard University will put on an exhibition of Chilean art drawn from Santiago's Museum of Contemporary Art and Manhattan's Museum...

Author: /time Magazine | Title: Chile: Clarifying an Image | 10/4/1963 | See Source »

...preparing to become the Repertory Theater of Lincoln Center, will present Arthur Miller's new play After the Fall, directed by Elia Kazan and starring Jason Robards Jr. (Jan. 23). The ANTA group will also do Eugene O'Neill's Marco Millions, directed by José Quintero (Feb. 20), and S. N. Behrman's new But for Whom Charlie, directed by Kazan (March...

Author: /time Magazine | Title: Broadway: The New Season | 8/30/1963 | See Source »

...hesitate like no other actress before her. Her pauses were unmatched. When she played the spinsterish heroine in Tennessee Williams' Summer and Smoke, she made an off-Broadway hit out of a Broadway flop, but she also kept the audience in their seats till after midnight. Director Jose Quintero, taking a second look, cut 20 minutes out of the running time by merely giving her a fatherly talk...

Author: /time Magazine | Title: Actresses: Out of the Mold | 7/5/1963 | See Source »

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