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...Quetzalcoatl, 1965 José López Portillo was an unknown 45-year-old government official and author when he wrote his mystical novelette about the god Quetzalcoatl, who figures so largely in the Toltec legends of the Mexican people. Today, at 56, he is President of Mexico, and now the age-old questions of love and hate, giving and taking, are considerably more real and painful in the Mexican sphere of arbitrary things...

Author: /time Magazine | Title: MEXICO: The Road Back to Confidence | 2/21/1977 | See Source »

...refreshingly brief speeches with humor. His inaugural address will probably be the longest oration of his life. He enjoys soccer or boxing as much as talk of public administration, economics or Mexican mythology. His writings include studies of both legal theory and Mexico's legendary god-king Quetzalcoatl...

Author: /time Magazine | Title: The World: Don Pepe at the Helm | 12/6/1976 | See Source »

Nonetheless, López Portillo mounted a grueling campaign to get acquainted with the voters, only a few hundred of whom had even heard his name when Echeverria picked him last September. Since then, his campaign bus Quetzalcoatl (for the plumed serpent of pre-Columbian lore) has logged 40,600 miles, traversing the countryside from the humid south to the High Sierras...

Author: /time Magazine | Title: MEXICO: A Sure Winner | 7/5/1976 | See Source »

...painted in hot Fauve colors: "Nature made me get out of myself," he says, "it opened my pores." In Mexico City, he wandered into the anthropological museum. "Suddenly I had pre-Columbian memories that, of course, were impossible for me to have." A series of Fauve paintings of Quetzalcoatl, the brightly plumed serpent god, was the result...

Author: /time Magazine | Title: Sculpture: The Motion Is Haphazard, The Situation Unpredictable | 3/4/1966 | See Source »

When the Conquistadors came in 1519, they hoped to found not just a colony but a New Spain. Instead, the Mexicans absorbed the Spaniards. The viceroy took the place of Montezuma; Christ became the altar ego of the god Quetzalcoatl, the plumed serpent and savior who can both soar like a bird and slither like a snake. In 17th century crucifixes by Indian artisans, Christ's body does not hang upon the Cross, but becomes part of it, styled after pre-Columbian pieces in which animals and human figures became part of the pottery. In one oil, a viceroy...

Author: /time Magazine | Title: Art: 35 Centuries of Mexican Art | 10/25/1963 | See Source »

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