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...example, has more than half a million cards in its catalogue, all recorded in Wade-Giles. "We cannot possibly cope with such a change now," says Librarian Wu. Similarly discouraged was the head archivist of the oriental manuscripts section of France's largest library, the Bibliothèque Nationale, who found Pinyin "unreliable" and, with true Gallic pride, "terrible for French...

Author: /time Magazine | Title: World: Pinyin Perils | 4/2/1979 | See Source »

...choices. Thought was out. Thrills and chills and, most of all, sheer fun were in. Films that did well were ones that packed an old-fashioned entertainment wallop. "There was a big desire for mindless excitement this year," says Gene Stavis, director of Manhattan's American Cinemathèque. "Whether it's laughter or screams, anything that gets the adrenaline going gets people into the theater. We are in an era when people are looking for a jolt...

Author: /time Magazine | Title: Cinema: Bottom-Line Time in Hollywood | 1/1/1979 | See Source »

...have been on nocturnal migrations when the people of Roosevelt began seeing those strange, dancing lights. Indeed, as the moths hovered and blinked overhead, while trying to escape atmospheric electric fields on certain stormy nights, they might well have resembled what the scientists call a great "free-floating discothèque...

Author: /time Magazine | Title: Science: Pesky UFO's | 11/20/1978 | See Source »

Outside, a white stucco facade, a small marquee and a large black-and-white painting of the star of Casablanca help drinkers and dancers home in on Bogart's discothèque, set amid glittering car dealerships, fast-food joints and furniture shops full of Oriental rugs and Naugahyde "suites" on Tucson's East Speedway Boulevard. Inside, a hand-printed sign exhorts visitors: PLEASE, PLEASE. NO HATS OR HEADGEAR. NO MOTORCYCLE JACKETS, NO T SHIRTS, NO BARE FEET...

Author: /time Magazine | Title: In Arizona: Pleasure and Pain from Disco Punches | 10/30/1978 | See Source »

...weekends, downtown Los Angeles' Broadway is a teeming mass of Hispanic shoppers. Record-store loudspeakers blare Mexican hits: Juro que Nunca Volveré (I Swear I'll Never Return), Mi Fracaso (My Downfall). The Orpheum Theater, where Al Jolson once sang in blackface, screens Spanish-language dubbings of anglo hits. An archipelago of taco and burrito carts dots the street. Stores and merchandise stands tout their wares: vestidos, tocadiscos, muebles (clothing, phonographs, furniture). Farther east, on Whittier Boulevard, young Hispanics express themselves with a unique form of Saturday night fever known as "low riding"-cruising in ornately decorated...

Author: /time Magazine | Title: Nation: LOS ANGELES | 10/16/1978 | See Source »

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