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While other songwriters are heading for country creeks and watermelon vines, Springsteen celebrates urban lowlife. His songs are ambitious mini-operas populated by punk saints and Go-Kart Mozarts in scenarios laced with schmalz and violence. His territory: the streets of Harlem, tenements, the funky world of the boardwalk's pinball way with its dusty arcades and machines. Bursting with words, images rush along in cinematic streams of consciousness...

Author: /time Magazine | Title: Music: Along Pinball Way | 4/1/1974 | See Source »

Public Enemy [1931]. Cagney plays a punk who grows up to be a crook. The film that made him famous. Ch. 56, 11:30 p.m. B/W, 2 hours...

Author: By F. Briney, | Title: TELEVISION | 3/14/1974 | See Source »

...Douglas Schoen's reference in his article "A Liberal Demonstration" (March 11) to "the group of punk ass Republicans at Harvard trying to suck up to the vice president" falls below even the characteristically low standards of taste and fairness on which The Crimson prides itself. I can hardly imagine either Mr. Schoen or The Crimson referring to the New American Movement as "a dirty bunch of wimps and faggots" or to the Radcliffe Women's Organization as "a herd of bovine eunuchs," although I don't know, perhaps they would if either group had the temerity to invite...

Author: NO WRITER ATTRIBUTED | Title: VITUPERATIVE ABUSE | 3/13/1974 | See Source »

...special interest deals. Both the American people and Congress are impressed by numbers. The more demonstrators that turn out, the better. The media will certainly turn out in full force and it is critical to make the main point of their stories the demonstration and not the group of punk ass Republicans at Harvard trying to suck up to the vice president...

Author: By Douglas E. Schoen, | Title: A Liberal Demonstration | 3/11/1974 | See Source »

...Montreal Police. It's a complete version with synthesizer pre-recorded onto a tape. This is the recognizable, post-Tommy Who that everyone obviously had been waiting for. It's not safe to underestimate this song's power as performed. With all the arrogance, frustration and simple sneering punk hostility The Who bring to the stage, coupled with the substantial amounts of same written into the song...well, there was an obvious emotional peak. "Pinball Wizard" initiated hysteria--as much because it's from the by now deified Tommy as for any musical worth. It was well done, and faithful...

Author: By Freddy Boyd, | Title: Quadrophenia: Townshend Redux | 12/13/1973 | See Source »

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