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...withdrew its two entries from an international film festival about to open in Moscow. And just before the party leaders met, Khrushchev and Mao Tse-tung exchanged a fresh round of insults over Red China's 25-point denunciation of Soviet policy. Although the Soviets themselves refused to publish it, Moscow complained last week that Chinese agents handed out the document in cities from Odessa to Leningrad and even in the atomic research center of Dubna, near Moscow. Chinese crews on the Peking-Moscow express scattered bundles of the manifesto through coach windows, used the train's public...
...grew distant.* Sin In the Choir Loft. Alicia decided she wanted her own newspaper. Her husband agreed ("Everybody ought to have a job"), wisely judging that this would be an outlet for her enormous energies, and put up $70,000 to get the paper started. Her idea was to publish a suburban daily for Long Island, where she and Guggenheim lived in a 30-room Norman mansion in fashionable Sands Point. What she had in mind was something "readable, entertaining, comprehensive, informative, interpretive, lively, but still sufficiently serious-minded so that no Long Islander will feel compelled to read...
...word Peking blast at Khrushchev's policies, designed to show that his peaceful coexistence line is a cowardly betrayal of true Red revolutionaries, that he is shilly-shallying with the "paper tigers" of imperialism, and that he is "subverting" other Communist parties. When the Russians refused to publish the Peking letter, issued two weeks ago, the Chinese embassy in Moscow started circulating copies, thereby provoking the Kremlin to throw out three embassy attaches and two other Chinese...
...timed to catch the Kremlin off balance. It landed on the eve of a special Central Committee meeting called to discuss Russia's internal ideological troubles. For four days the Russians were stunned and speechless. Finally the Central Committee angrily announced that it would not even bother to publish Red China's "distorted, unwarranted attack...
...vinyl age that has produced such a blossoming has as its sole historians Cataloguer William Schwann and his three assistants. The earnest list makers also publish a monthly catalogue of recorded music; most issues contain about 500 new releases, and record buyers feel understandably anachronistic if they own anything older than last month's book. But the nature and scope of the revolution in musical taste are best seen in the Artist Issue, which Schwann first published in 1953 and has put out five times since. It is a revolution of expanded taste as much as refined taste...