Word: publicly
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Dates: during 1990-1999
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Last week, after what it deemed an appropriate time out, NBC rehired Marv Albert as its lead NBA announcer for next season. How have infamous biters fared in their public rehabilitation...
...what Ripley doesn't: he has achieved the trappings of privilege and success, but not, it seems, at the expense of his soul. Partly this is thanks to the support of his friends, most famously his childhood buddy Affleck, with whom he has been so closely entwined in the public eye that they now try to avoid speaking about each other to the press. ("It's not like we're bitching ex-husbands, or anything," Damon says.) More important, it's thanks to his family. They're quite a clan: liberal, intellectual, active in social causes, politically sophisticated. "They...
...honor the book, which is about a man who commits murder and isn't caught," Minghella says. "But I also wanted to investigate what that actually means. At the end of the film, Ripley is imprisoned by the consequences of his own action. There's a difference between public accountability and private justice. He appears to have gotten away; he seems to get away with everything. In a way he's sentenced to freedom. It's painful to have this talent for escape, for being able to improvise one's way out of any situation. To Ripley...
...find the public passion for justice quite boring and artificial," Highsmith wrote, "for neither life nor nature cares if justice is ever done or not." But she cared for Ripley, her alter ego or attractive opposite. She attributed the first book's popularity to "the insolence and audacity of Ripley himself... I often had the feeling Ripley was writing it and I was merely typing." In gratitude, she kept him forever young. The novels span 36 years, and each is set in the present; yet Tom ages only about a decade. He is the Dorian Gray of crime...
...more than 100 years after Velazquez's death. The reason was social. Most of his work was done for the King and the court, and was thus invisible to young artists. And practically none of it went abroad. Not until the museum age, when what had been private became public, did Velazquez become the intellectual property of mediocrity and genius alike. Numerically, this is a little show. But with Velazquez, a little goes a long...