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Word: psychodrama (lookup in dictionary) (lookup stats)
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Glass's music adds the final layer to this psychodrama, and he responds with one of his most daring scores. From the arresting opening chords that symbolize the lurking spacemen -- an alien harmonic system that makes sense to them but not us -- to the striking stretch of C-major that underpins poor M.'s longings for a girlfriend, this primal scream of angst surges and soars on an electric current of inspiration...

Author: /time Magazine | Title: Music: The Opera As Science Fiction | 8/1/1988 | See Source »

...Because Society Says I'm Not O.K." movie. The protagonist is not insane, merely misunderstood by those who impose rules she refuses to play by. Every time an authority figure declares she is incompetent, her sanity is supposed to be affirmed. This is no-risk psychodrama. And no drama as well, because Claudia's moral superiority is too easy to spot...

Author: /time Magazine | Title: Cinema: Lovelorn, Headstrong | 11/30/1987 | See Source »

...dominate intellectual learning and personal growth here. While much of the material will be familiar to the initiated, she effectively puts the interaction between female students and the institution into context by citing studies of college-aged women of the time, bolstering and lending historical credence to her developing psychodrama...

Author: By Kristin A. Goss, | Title: The Edge of the Cliffe: | 4/29/1987 | See Source »

...white melodramas of the period. Earlier this season, the same company presented a Mad Max version of Bizet's Carmen by David Pountney that replaced castanets and mantillas with feral children darting amid junked American automobiles. In Paris, Producer Seth Schneidman staged Strauss's Elektra as a dream-theory psychodrama, freely mixing images of Greek antiquity and 19th century Europe...

Author: /time Magazine | Title: Music: Three Cheers for the Partisans | 2/23/1987 | See Source »

...Paris Elektra was the most daring in concept but the tamest in execution. Schneidman rather naively promised an "arena of the psychodrama buried deep in the tomb of the unconscious," but what occurred onstage was a fairly standard day in the death of the House of Atreus. The real pleasures of the production were the whiplash performance of Soprano Hildegard Behrens in the title role and the gloriously haunted Klytemnestra of Mezzo Christa Ludwig. Conductor Seiji Ozawa, leading his first Elektra, sought out the brutal score's elusive lyric elements and found most of them...

Author: /time Magazine | Title: Music: Three Cheers for the Partisans | 2/23/1987 | See Source »

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