Word: pseudo
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Dates: during 1960-1969
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Roth's world is that of the nouveau riche and the pseudo-intellectual. His suburbanites struggle with the complexities of country clubs and housing developments; his professors, just out of Harvard or Columbia, are careful to pronounce Don Quixote with the hard X. None possess the depth or complexity of a Herzog. Roth sums it all up in my favorite image from his first novel, Letting Go (1962), when one sunny day the middle-aged Fay Silberman "goes outside their place in South Orange and her husband is being driven all over the lawn in their power mower...
...period wallowing in the grotesque and in voyeuristic escapism, it follows that Mia Farrow would succeed as a flower-nibbling, pseudo-mystical boy-girl and that Hoffman would see a psychoanalyst five days a week, no doubt to discuss his anxieties about the impending 1040. The sight of Farrow and Dustin salting down the scratch, the former looking like a sand-kicked 97-lb. weakling in Rosemary's Baby and the latter as a watered-down Holden Caulfield in The Graduate, is enough to confirm to this aging mind that when eccentricity and grotesquerie become the prime movers...
Unfortunately, many couples bury their battles, and the ones who do not often fight dirty. Bach, who has a thriving group therapy practice in Beverly Hills, knows "fight-phobic" the games partners they live in play. a shell Many of boring, ritualized "pseudo-intimacy...
...that we should exaggerate the chances of vigorous rock and roll being submerged under the pseudo-heavy "sound" music of the more pretentious West Coast groups -- the Miami Pop Festival had enough talent on display to keep one's fears tiny. Country Joe and the Fish, say, who came on unprepossessing but grow in stature as they assert their calm and confident rapport with the audience all building up to that staggering moment when they launch into "Fixing to Die"--in such a way does rock and roll gell musical and spiritual elements to produce instants of screaming intensity...
Minsky's was 58 days in the shooting and ten months in the editing-and shows it. Marred by grainy film and fleshed out with documentary and pseudo-newsreel footage of the '20s, the film spends too much time on pickles, pushcarts and passersby. But it compensates with a fond, nostalgic score, a bumping, grinding chorus line and a series of closeups of the late Bert Lahr, who plays a retired burlesque comedian. Like Lahr, the film offers an engaging blend of mockery and melancholy...